Punk Rock

Serpette releases March 1st.

https://katabombrecords.com/index.php?id_category=81&controller=category&id_lang=1

ZSK from berlin/Germany. They have been on tour with Rise Against, Bad Religion, Die Toten Hosen, Anti-Flag... Most lyrics are in german but they tour worldwide. We need them more than ever!

Still one of my favorites!!

In a retrospective review for PunkNews Dubar awards the album with 4.5 out of 5 stars. He points out the band's drastic "reinvention" compared to their previous style, which was more in line with skate punk outfits like Satanic Surfers. On the contrary, Dubar points out that You Can't Keep a Good Band Down is "noticeably less aggressive, much more catchy, and that's not a bad thing at all."

cross-posted from: https://lemmy.world/post/11822446

The second LP by this Melbourne garage punk supergroup brings further gradual refinement to their distinct formula carrying all the right baggage from many decades of particularly australian punk history both ancient and recent, presented with heartfelt urgency and a persistent sense of melancholy that's quite unique to them, a knack for catchy hooks, elegant, simple and effective songwriting which has had the group running circles around the bulk of the genre pretty much from day one, all the while leaving impact craters with the unrelenting fury of their performance. Nothing short of spectacular, this record!

cross-posted from: https://lemmy.world/post/11822225

Dirty Mean Fast releases February 26th.

Split Image releases March 8th.

Songs about motor vehicles aren't quite as ubiquitous as they once were and i'm just gonna say say deservedly so because honestly, that ancient, most wasteful mode of personal transportation can't be phased out soon enough and the future clearly belongs to all varieties of bikes and trains. But here we go, it's an unlikely new EP made up of nothing but carpunk tunes. Musically the thing slaps though, their weird and whimsical mix of art- and garage punk being of similar character to household names such as Vexx, Cel Ray, Warm Bodies, Warp or Fugitive Bubble.

Redd Karpet releases March 22nd via Total Punk Records.

cross-posted from: https://lemmy.world/post/11821168

Or Not releases March 22nd via Neon Taste Records.

Realities releases February 16th via Forever Never Ends Records.

Osbo releases April 1st via Blow Blood Records.

Brilliant, thrilling oldschool action on this Philadelphia group's debut EP on which a hybrid garage/hardcore vibe á la Cutters gets fused with a distinct Oi! tendency reminiscent of The Chisel, Chubby And The Gang. Then again, there are some ocurrences of Poison Ruïn-esque riffing to be spotted as well and sometimes the guitar leads operate in classic Radio Birdman territory.

cross-posted from: https://lemmy.world/post/11820009

Hard Copy releases March 22nd via Dais Records.

https://momsbasementrecords.bigcartel.com/product/avem-three-birds-stoned

Source: Ox Fanzine, #172

KAAOS

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RIISTETYT

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„Valtion vankina“

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APPENDIX

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TERVEET KÄDET

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BASTARDS

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DESTRUCKTIONS

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VARAUS

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https://www.heavymedication.com/?product_cat=&post_type=product&s=dogs+hypersensitive

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[Bandcamp blurb:] Bogota's ATAQUE ZERO return just over two years after their debut with their second 12" EP 'Ciudades'. They are an international band with members from Venezuela, Colombia and France who formed around the Rat Trap scene which gave the world MURO, TRAMPA and ALAMBRADA among others, all of whom share members with ATAQUE ZERO.

They've stepped things up on all fronts for Ciudades and bring you five new anthems that have built on all the promises their debut EP made. The songs are passionate, angry and maybe even channelling a bit of STIFF LITTLE FINGERS as well as PELIGRO SOCIAL and LEATHERFACE this time too. Everything here is the right balance of taste and power and we can't wait to see what they come up with next.

Excellent new shit by a group from Karlsruhe, Germany featuring, as far as i can tell, the two members of Thee Khai Aehm. There are parallels to be drawn to that group, especially concerning the heavy dungeon-esque vibe of which much is retained here as well, but overall i'd say this group's garage- and fuzz punk sound is a different kind of beast altogether, involving way higher velocities and more stylistic variety. The opener has some primal proto punk energy to it while the melodicism of As Loud As Me reminds me of early No Age or Wavves. Give Me Beat ventures deep into hardcore territorry and closing track Fomo Boy is a forceful blast of classic dungeon punk excess. Well… if the word "classic" even has any meaning for a genre this young. Whatever, there's no use arguing with this kind of fury.

cross-posted from: https://lemmy.world/post/10470001

German language "deutschpunk" that doesn't suck still is much of a rarity, sadly. This thing here indeed does not suck in the slightest though. The debut LP of this group from Aachen treads an interesting middle ground, having clear echoes of some of the better and quite obvious german influences (think the likes of Oma Hans, early Muff Potter, Turbostaat, Oiro, Düsenjäger…) while at the same time having a more garage-leaning vibe to them reminiscent of a quite diverse bunch of international acts like Crisis Man, Flowers Of Evil, Waste Man, Ascot Stabber, Mystic Inane… plus the ocasional hint of Hot Snakes / Drive Like Jehu to boot!