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submitted 17 hours ago by quercus@slrpnk.net to c/solarpunk@slrpnk.net

n her 2016 Edward W. Said lecture, Naomi Klein examines how Said's ideas of racial hierarchy, including Orientalism, have been the silent partners to climate change since the earliest days of the steam engine, continuing to present day decisions to let entire nations drown and others warm to lethal levels. The lecture looks at how Said’s bold universalist vision might form the basis for a response to climate change grounded in radical inclusion, belonging and restorative justice.

[-] quercus@slrpnk.net 2 points 17 hours ago

Oh no! I didn't know that, what a bummer :( My favorite one of his is about the boomers who didn't rebel.

[-] quercus@slrpnk.net 2 points 18 hours ago

Awesome! I enjoyed how Berger weaved art and politics in a way that still resonates. There's another version on the internet archive without the overlaid subtitles blocking the artwork.

Are you familiar with documentary filmmaker David Hoffman? He uploads footage from his archive on YouTube, stuff from the 1950's onward.

3

The Association of Space Explorers reached out to their fellow astronauts to pass on a simple message of solidarity, hope and collaboration to combat climate change and reach our political leaders during such a crucial time.

2
"Gravity and Grace" by Simone Weil (theanarchistlibrary.org)

Simone Weil (1909 — 1943) was a French philosopher, labor activist, ascetic and mystic.

The author of the introduction, Gustave Thibon, shares the circumstances of his meeting Weil:

In June 1941 the Reverend Father Perrin, a Dominican friend then living at Marseilles, sent me a letter which I do not happen to have kept but which ran more or less as follows: ‘There is a young Jewish girl here, a graduate in philosophy and a militant supporter of the extreme left. She is excluded from the University by the new laws and is anxious to work for a while in the country as a farm hand. I feel that such an experiment needs supervision and I should be relieved if you could put her up in your house.’

Thibon later shares how he gained possession of Weil's writings which would become Gravity and Grace:

I saw her for the last time at the beginning of 1942. At the station she gave me a portfolio crammed with papers, asking me to read them and to take care of them during her exile. As I parted from her I said jokingly, in an attempt to hide my feelings: ‘Goodbye till we meet again in this world or the next!’ She suddenly became serious and replied: ‘In the next there will be no meeting again.’ She meant that the limits which form our ‘empirical self’ will be done away with in the unity of eternal life. I watched her for a moment as she was disappearing down the street. We were not to meet again: contacts with the eternal in the time order are fearfully ephemeral.


The Philosophize This! podcast has a four part introductory series on Simone Weil (with transcripts). There are short videos from this series on their clips channel on YouTube.

The Talk Gnosis podcast hosted a discussion about Weil's work featuring two poets.

[-] quercus@slrpnk.net 4 points 4 days ago

Do you mean the fun stuff like soy curls and doing lines of nooch? Mimicking the gluttonous delights of Thee Burger Dude?

11
submitted 5 days ago by quercus@slrpnk.net to c/music@slrpnk.net

17 years ago, I was amazed by the incredibly loud pulsing chorus of cicadas in my backyard. I improvised this tune that I had to name "The Cicada Reel". I recorded the tune a year later on "Journey to the Heartland" (Maggie’s Music, 2005). And the cicadas are back in full force. Shortly after I recorded this video, they hit 93 dB’s. So here it is again: The Cicada Reel, played on a Dusty Strings D670 with dampers.

[-] quercus@slrpnk.net 2 points 5 days ago

You're correct, we won't know unless we try! I'm cleaning up my bookmarks and watch laters, so I'll share more as I review them.

6

Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

CW: Around the 20 minute mark, footage of an execution is briefly shown.

Related essays can be found on ways-of-seeing.com

14

Interesting tidbit: the creator of this video was arrested in the 1990s during the Satanic panic.

Silvia Federici's Caliban and the Witch is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. Full text can be found on:

libcom.org | theanarchistlibrary.org | gitbooks.io

[-] quercus@slrpnk.net 8 points 1 week ago

I grew up on concrete with streets peppered by exotic callery pear and feral pigeons. It wasn't until a friend moved to a neighborhood with big yards (for the city, anyway) that I saw cardinals, bluejays, cottontails, foxes, and nights lit up by fireflies.

I live close to that neighborhood now and the streets here are lined with willow oak, black cherry, and sycamore. So many woodland creatures and cool bugs, some of which are recorded on iNat.

But go a mile south to a redlined neighborhood and the canopy is sparse to none. The streets are lined with empty tree wells, usually sloppily paved over. Some years ago, the police installed bright white spotlights and surveillance cameras. Absolutely brutal stuff.

4

The depth psychology of C. G. Jung provides a set of concepts for exploring the spiritual aspect of nature. According to this view, spiritual experiences occur when basic patterns or archetypes within the psyche are projected onto natural environments. Implications of this viewpoint for natural resource management and research are discussed.

Treesearch archive / Archive of article (PDF)

11
submitted 1 week ago by quercus@slrpnk.net to c/nolawns@slrpnk.net

Join Iowa attorney and business professor Rosanne Plante as she explains what to do if the “Weed Police” knock on your door!

Most towns, cities, and other municipalities have weed ordinances (local law) concerning what is a weed, what is not defined as a weed in their jurisdiction, and what is allowed to be grown on the property of local citizens. How do you know if you are really in violation, or if your “flowers” just remind others of weeds?

Rosanne presents a handy checklist to use if you are ever accused of breaking a weed ordinance. Many times, citizens are not in violation at all, but can use the citation or threat of a citation as a teaching moment for local government officials.

As a past city attorney herself, Rosanne has extensive experience not only drafting city ordinances of all kinds but also prosecuting offenders. She truly knows what is needed to “prove up” a weed violation.

Download a Sample Native Planting Ordinance: https://wildones.org/resources/

20
submitted 2 weeks ago by quercus@slrpnk.net to c/vegan@slrpnk.net

In this episode we film more habitat destruction in South Texas, this time for the purposes of grazing cattle in a desert.

Echinocereus enneacanthus, Coryphantha macromeris runyonii, Ancistrocactus scheeri and others are prevented from being destroyed in this act of senseless bulldozing. Ecotourism possibilities abound here due to the presence of numerous rare birds and cactus species and an abundance of winter texans that would happily pay to see and protect this land, but ranching and cattle are the convention here, and human beings rarely break with convention unless forced to by unforeseen circumstances which are sure to arrrive to the region, eventually.

38
submitted 2 weeks ago by quercus@slrpnk.net to c/nolawns@slrpnk.net

Monarch on rose milkweed, Asclepias incarnata.

I dug this out myself, roughly 6 feet in diameter and 4 inches deep. Given how fast everything is growing and self-seeding, I'll be able to expand closer to the street next year.

Southeastern USA Plains. This is the last stop for rainwater before the storm drain leading to the Chesapeake Bay.

25
submitted 3 weeks ago by quercus@slrpnk.net to c/nolawns@slrpnk.net

This is in the Southeastern USA Plains.

The mature plants (seen on the left side) went to seed in the fall. I broke apart the seed heads over the right side in February.

18

Human Zoos tells the shocking story of how thousands of indigenous peoples were put on public display in America in the early decades of the twentieth century.

For more about the movie, additional information and clips be sure to visit the film's website at https://humanzoos.org/

Often touted as "missing links" between man and apes, these native peoples were harassed and demeaned. Their public display was arranged with the enthusiastic support of the most elite members of the scientific community, and it was promoted uncritically by American's leading newspapers. This award-winning documentary explores the heartbreaking story of what happened, shows how African-American ministers and other people of faith tried to push back, and reveals how some people today are still drawing on Social Darwinism in order to dehumanize others. The film also explores the tragic story of eugenics in America, the effort to breed human beings based on Darwinian principles.

[-] quercus@slrpnk.net 18 points 3 months ago

If nobody got me, I know Chesapeake Bay Watershed got me 🙏 Can I get an amen?

[-] quercus@slrpnk.net 10 points 5 months ago

Baltimore City has an adopt-a-lot program, allowing residents to use vacant lots for urban agriculture or community projects. However, as stated in point 3, it can be difficult to keep them going long term:

One farmer, Rich Kolm, said urban farms in Baltimore are playing several critical roles: They are community centers, educational hubs and fresh food producers in food-insecure neighborhoods.

Kolm has overseen three separate farms on adopted land in the city, and now he works as a contractor to those attempting to do the same. Though he commended the city’s low-cost water access service that accompanies lot adoption, he said people may not want to start a farm under the program if the land could be taken away.

“The whole idea of agriculture is that you’re building something,” said Kolm. “The only way to do it well is to make it permanent. But the city’s attitude is that urban agriculture might be a means of raising property values so much so that the agriculture gets kicked off the site.”

[-] quercus@slrpnk.net 7 points 5 months ago

Carol J Adams - The Absent Referent

In The Sexual Politics of Meat, I took a literary concept, “the absent referent,” and politicized it by applying it to the overlapping oppressions of women and animals. I explained it this way:

“Behind every meal of meat is an absence: the death of the animal whose place the meat takes. The absent referent is that which separates the meat eater from the animal and the animal from the end product. The function of the absent referent is to keep our ‘meat’ separated from any idea that she or he was once an animal, to keep the ‘moo;’ or ‘cluck’ or ‘baa’ away from the meat, to keep something from being seen as having been someone. Once the existence of meat is disconnected from the existence of an animal who was killed to become that ‘meat,’ meat becomes unanchored by its original referent (the animal), becoming instead a free-floating image, used often to reflect women’s status as well as animals’. Animals are the absent referents in the act of meat eating; they also become the absent referent in images of women butchered, fragmented, or consumable.”

“There are actually three ways by which animals become absent referents. One is literally: as I have just argued, through meat eating they are literally absent because they are dead. Another is definitional: when we eat animals we change the way we talk about them, for instance, we no longer talk about baby animals but about veal or lamb. As we will see even more clearly in the next chapter, which examines language about eating animals, the word meat has an absent referent, the dead animals. The third way is metaphorical. Animals become metaphors for describing people’s experiences. In this metaphorical sense, the meaning of the absent referent derives from its application or reference to something else.”

[-] quercus@slrpnk.net 14 points 5 months ago* (last edited 5 months ago)

The above map doesn't include fishing, it's showing land use. This shows fishing:

Here is another one about land animals:

[-] quercus@slrpnk.net 7 points 6 months ago

Honey bees were domesticated, selectively bred like all other livestock, to be more docile and dependent. The relationship you describe was created by humans for the benefit of humans.

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quercus

joined 6 months ago