Doctor Who Social Club
A community for discussing all things Doctor Who.
Rules
1 Be constructive
All posts/comments must be thoughtful and balanced.
2 Be welcoming
It is important that everyone from newbies to longtime fans feel welcome, no matter their gender, sexual orientation, religion or race.
3 Be truthful
All posts/comments must be factually accurate and verifiable. We are not a place for gossip, rumors, or manipulative or misleading content.
4 Be nice
If a polite way cannot be found to phrase what it is you want to say, don't say anything at all. Insulting or disparaging remarks about any human being are expressly not allowed.
5 Spoilers
Utilize the spoiler system for any and all spoilers relating to the most recently-aired episode. Spoiler protection will not be granted to information that is out in the mainstream media.
6 Keep on-topic
All submissions must be directly about the DW franchise (the shows, movies, books, etc.). Off-topic discussions are welcome at c/Quarks.
7 Meta
Questions and concerns about moderator actions should be brought forward via DM.
Upcoming Episodes
Date | Episode | Title |
---|---|---|
05-10 | DW 2x05 | "The Story & the Engine" |
05-17 | DW 2x06 | "The Interstellar Song Contest" |
05-24 | DW 2x07 | "Wish World" |
05-31 | DW 2x08 | "The Reality War" |
TBA | TWB 1x01 | TBA |
view the rest of the comments
I feel like the RTD2 era doesn't have as many "quiet" moments as RTD1. As an example, in David Tennant's final episode, they'd break up the action with little scenes like this where they'd just let the actors sit there and carry the scene themselves, and I don't really remember there being many of those in the recent finale. I wonder if maybe it's kind of a budget thing, where before they'd have to use CGI and big effects sparingly? In the new era, when they need to, say, have 15 travel from UNIT to where the bad guys are, instead of using that moment to take a breather and have the Doctor talk about the Rani or Omega or the implications of the Wish World or whatever, they just stick him on a CGI space scooter and make everything blow up instead.
It's a good spectacle and makes for higher production value, but I think it comes at the expense of letting the episodes breathe and the characters talk about things. There's no time to really process anything that happens because there's always something happening, if that makes sense.
Yeah I think it's some of that. I feel like there is often an inverse relationship between budget and how interesting/emotionally resonant a show/movie is. More time for action is less time for human moments.
I imagine if you have a script deadline it's probably much faster and easier to write the latter one of those scenes than the former too lol.
I don't know how they do it for Doctor Who, but I remember reading that for Marvel movies they often do work on the CGI scenes before they've even finished the script or hired some of the key talent. It can't be easy to try to stitch together a narratively coherent and emotionally resonant movie when before you begin you've been told which action scenes you need to work into your script.
That's definitely the case when they use a "volume" AR wall, which I know they used during Season 1. Since the CGI environment is projected live behind the actors, it all has to be prepped in advance of filming.
From what I've seen of "Unleashed," though, they've also been using a lot of old-fashioned green screen.