this post was submitted on 18 Jun 2025
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I think the idea that Murderbot's conception of its gender conflicts with its appearance of gender is actually a lot more real, and relatable. If Murderbot is simply genderless because it was designed to be genderless, that flies directly in the face of the story's underlying themes of breaking your own programming and discovering an identity apart from the one you were assigned by society and your expected place in it. So the notion that this thing was designed to look like a very handsome guy, but thinks of itself as having no concept of gender at all seems to fit that much better to my mind. But I get how it's difficult when you start with a book, form an image of a character, and then get met with something that runs completely counter to that image.
I understand how you feel like that's a satisfying portrayal, I'm just saying that's not how it was portrayed in the books. And that's okay, the director has to make decisions when a book is adapted to the screen. Stanley Kubrick decided that, with the state of the art of special effects at the time, the hedge maze in The Shining would have looked stupid, so he got rid of it for the movie. People were upset that it wasn't there, but it was probably the right decision.