StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 6 points 1 month ago (1 children)

There’s currently an Redexit of Canadians who are looking to get off US-controlled social media.

Lemmy.ca has had a huge spike in enrolment as it’s the one that was most prominently promoted in r/BuyCanadian. Apparently, it’s had over 9k signups in the past day.

She was on the D at one point, it was name dropped.

And on DS9 when some of the Dominion War stuff went down.

[–] StillPaisleyCat@startrek.website 3 points 1 month ago (2 children)

So basically Beckett Mariner’s story.

[–] StillPaisleyCat@startrek.website 10 points 1 month ago (1 children)

Thanks for bringing this here VS.

Saw Tatosky’s thread on Mastodon. It really gives a much better sense of how ‘real’ the preproduction was under Fuller.

Lots of expenditure clearly but badly managed.

Tamara Deverell talked about having little to spend when she took over after the pilot because the initial sets were built on the designs Fuller signed off on.

No engineering but a bay to hand load missiles! Which she repurposed to Stamets’ spore lab.

[–] StillPaisleyCat@startrek.website 6 points 1 month ago (1 children)

TIL that the Voyager app doesn’t support custom emojis🤯

I think OP is looking for the kind of drills that Duolingo excels at.

Canadians generally can find language schools but daily self-study makes enormous difference.

I’d say definitely more than adjacent as it sounds like he’s been the CBS Studios side suit opposite Kurtzman who’s been running the production company responsible for the Star Trek franchise.

[–] StillPaisleyCat@startrek.website 1 points 2 months ago (1 children)

My point is that I haven’t ever had any patience with the generational gatekeeping in the Star Trek.

I’ve been offended by it since the TOS fans campaigned to keep TAS from ever being aired. And I am more than done with TNG fans trying to brigade and kill every new offering.

I really don’t think you are assessing anything new on its merits at all.

What I am trying to say is that we - my spouse and I — am enjoying S31 on its merits, for what it is, in this period of television and movie making.

It IS fun stuff. We will be rewatching again!

My partner loved all the little inside references, including the hairstyle on the singer in the lounge.

S31 is a piece of this time. And we aren’t living in 1990.

It has more richness than Ryan Gosling or Ryan Reynolds action movies that become boring with endless action sequences.

I personally loved TNG in its run. It was the right Star Trek for its time.

If you asked me in the early 1990s, I would have agreed that TNG was the best Trek ever.

At that time, I much preferred it to TOS At that point, TOS was far enough out of time that it grated but not so far that it can be appreciated for itself, as something from another era.

I’m actually finding TNG not so great now. Your appreciation can evolve over time if you let it.

When our kids (now late teens) went through an intense fandom for Voyager in middle school, I understood why they thought it was the better show of the two. It was a better fit for them and I came to really love that show after originally finding it weaker than TNG.

Where I am coming from is that the TNG generation of fans needs to seriously lighten up and stop trying to insist that it’s the only model for good Trek or television.

You don’t own Trek any more than the boomers and older GenX did when TNG came on. At least we were the key demographic then - you are NOT now. TNG fans in their 40s are not the generation that this movie primarily targets.

Just as the TOS fans who were so derisive of TNG were damaging to the franchise, so is from the Berman era younger GenX and older Millennial fans.

You want tension and drama in a Star Trek show or movie.

That could be good. But it’s NOT the ONLY definition of good. It’s just a different kind of storytelling.

Trek on TV and movies has always had a mix of drama, horror, comedy, camp and action adventure. Even TNG covered all of these every single season.

We’re in an era where generally shows keep to one tone.

I have argued that the TNG and Kelvin movies that tried to hard to mix tones within a single movie, felt cringey (Nemesis, Beyond).

S31 went for a single tone for the most part and delivered.

SNW is able to mix tones because it’s episodic but there are fans who refuse to watch any episodes because the campy or lighthearted ones exist.

[–] StillPaisleyCat@startrek.website 2 points 2 months ago (3 children)

Well, I just rewatched it and enjoyed it all the more the second time.

My partner saw it for the first time, really enjoyed it, laughing the way through - with an overall rating of 7.5.

Like my partner, I’m an old thing.

I have watched absolutely everything Trek in first run since 1966 so I don’t have a lot of patience with those who became fans in the Berman era and feel entitled to gatekeep or define what isn’t Trek or isn’t ‘good’ for the next generation

I actively kept TOS fans from booing down young TNG fans trying to speak up at the cons in the late 1980s and early 1990s. These YouTubers are cut from the same mould but unfortunately have a much bigger public than the toxic TOS fans did on Usenet or subscription mimeod fanzines.

[–] StillPaisleyCat@startrek.website 3 points 2 months ago (5 children)

I actually enjoyed S31 for what it is and am about to rewatch it today with my partner.

It’s campy, and full of action sequences and fights, but that was to be expected with MU Georgiou.

It’s relatively rich in plot and characterization when I compare it to the run of current action movies like ‘The Grey Man’ on Netflix.

And it’s soooo much better than Star Trek V ‘The Final Frontier’.

How anyone can talk about the movies failing now clearly had rose coloured glasses on while watching:

  • Kirk’s death in ‘Generations’

  • the completely boring, Patrick Stewart indulgent dune buggy sequence in ‘Nemesis’ followed by the offensive rape content with stoic and sarcastic Troi turned into a tearful, dependant mess

  • ‘Into Darkness’

  • the destruction of the Enterprise, ridiculous motorcycle stored on bridge and motorcycle action sequence in ‘Beyond’

 

Simon & Schuster had a larger than usual array of ebook deals for September 2023.

October 1st is the last day for this group, a new set (likely fewer books) will come on line Sunday the 2nd.

If you haven’t given Treklit a try, these ebook deals are a great low cost way to get into it.

 

Missed this report from earlier in the week…Paramount+ will be joining major streamer J:COM with a launch date for Japan of December 1, 2023.

For the many fans who’ve been waiting for a legal way to get new Trek in Japan, this is hopefully great news.

 

This ScienceOf.org interview with Professor of Genetics/Evolution (& Star Trek biological science advisor) Mohammed Noor on the biology, especially the r-selection reproduction, of the Gorn in SNW is marvellous.

Just the kind of uncomfortable but great biological thinking I was hoping we’d get into here at Daystrom Institute.

e.g. Can we think of the Gorn in viral terms?

Treating Gorn like this, each infected person could infect four more people, so the R0 for Gorn would be 4. Not wildly big, but large enough to do the job. Of course, the hatchlings would also be going after one another, so the analogy’s not perfect.

But if you want to think of the Gorn as intelligent, viral space dinosaurs, that does get the idea across.

 

It seems that with long hiatuses in new onscreen Trek ahead, genre coverage is starting to profile Trek novels again.

This set of ten weird but readable books isn’t necessarily the trippiest, but it does put the first of the Shatnerverse books at the top.

(Perhaps @ValueSubtracted@startrek.website there’s yet hope for Shatner’s wild imaginings to make it into S&S monthly Star Trek ebook deals promotional rotation.)

 

Bleeding Cool previews behind the scenes commentary from Hageman Brothers from prerelease of DVD-BlueRay bonus content.

CBS Entertainment is keeping the profile up on Prodigy merchandising. A bright spot amidst Paramount’s erasure of Prodigy in Star Trek Day content.

 

/ Film is continuing to report and opine on key points in the oral history book "The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams," edited by Mark A. Altman and Edward Gross.

For those of us who haven’t (yet) invested in the book, these extracts and reflections can prompt some interesting discussion.

In this case, it sounds like Nimoy’s hesitation led to a much less action-oriented integration of Spock’s presence. An interesting thought experiment.

Also, it sounds like tapping nostalgia and interlinking shows has been a constant pressure from senior executives at the IP holder. It’s well known that Roddenberry resisted close callbacks to TOS, and was determined for TNG to stand on its own in its own era. Even five seasons into TNG, Paramount senior executives though still weren’t convinced it didn’t need a TOS-connection boost.

Considering the amount of callback mining and IP nostalgia mining in the current era shows, it seems as though Kurtzman’s got a hard road to convince Paramount to give new characters and eras a chance to stand on their own.

 

This was included in the Star Trek Day content, but released separately a couple of days ago.

It’s nice to see Discovery getting a lot of love in this. It also really shows how great so many of Discovery’s vfx heavy scenes have been.

 

Because it’s the weekend and Star Trek’s new Moopsy is possibly the most frighteningly inspired adaptation/extrapolation of Pokémons to hit the screen.

 

It appears that this is a promotional feature in Smithsonian Magazine for a a new book Reality Ahead of Schedule: how science fiction inspires science fact.

This seems a good fit for Daystrom Institute, but happy to relocate if it’s a better fit for another community.

 

As previously advertised.

 

The rebranded Star Trek magazine Explorer, published by Titan, is including original fiction.

For those who are fans of @DavidMack@davidmack@wandering.shop, this month’s issue may be one to add to your purchases if you’re not planning to already.

 

In honour of Star Trek day, this month Simon & Schuster is offering 23 ebooks at discount prices.

Books from every era are represented. (A special shout out from me for the Diane Duane one.)

As usual, look for the discounts in the US, Canada and UK through the major ebook platforms.

Enjoy!

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