Current national electrical code in the US (since the 1980s) is a neutral in every switch box. Before then a switch loop was allowed so you see a lot of older construction with those.
You also see newer construction with those where Uncle Dave™ decided it was easier to only have to run a wire down from the light rather than fish it up through the crawlspace, NEC be damned.
Hey at least you won't have to sign in anymore just to get automatic driver update checking.
There have been some smaller ISP outages in my area too.
There was a recently disclosed giant problem with DNSSEC that was suppossed to have been mitigated but I wonder whether certain DNS providers haven't been able to patch yet.
It baffles me that they don't at least dump these on their own streaming service. I mean seriously. What an absolute waste.
Its like the plot of the movie The Producers, make more money by doing a bad job on a movie and writing down the loss, only Gene Wilder isn't in it and it sucks.
Well if the quality doesn't matter maybe we could at least get a VHS release. Or maybe laserdisc.
But seriously I do understand that angle. And I assume that there's a certain threshold of sales that make it worth doing especially when a lot of stores are reducing or eliminating physical media sections (except records of course).
Speaking of records I think that that is where you could pivot the bluray industry. Make a bigger package with specially tinted discs and lots of behind the scenes photos or interviews on a fold out cover. Maybe even make people get up in the middle of the movie to flip the disc over? (Ok maybe not that last one.)
TLDR: Android 15 is going to keep the Android System Webview ram-resident at pretty much all times so that when an app needs a "web popup page" it will load significantly faster.
Here is an article from Android Central detailing how the component works at relatively high level.
This is interesting and a lot of commentary says that the reason smaller films aren't released physically is that there is too much work involved to do so at is mastering the movie for bluray would be impossible for a group of talented editors, color correctionists and sound engineers.
Personally, if anyone has any insight into the bluray mastering process I would love to learn more about it.
I mean if an outfit like Vinegar Syndrome can do multiple 4k restorations of crappy B movies every year, what's stopping other production companies?
It is amazing. I love how easy it is to mount network shares with it too.
Don't forget USB On the Go protocols! shudders
We had an older Hitachi tv with 4 HDMI plus component plus RCA input and 4 different options for audio input.
New Samsung TV. 2 HDMI, that's it. One is ARC which is the only audio interface besides TOSLINK so really theres effectively 1 HDMI to use.
But of course all the lovely ~~spyware~~ smart features more than make up for it.
This is the sort of thing that to me highlights the inherent inefficiency of proprietary software and processes.
"Oh sorry, you'll need our magic hardware in order to run this software. It simply can't happen any other way."
Turns out that wasnt true which of course it isn't.
Imagine instead of everyone could have been working together on a fully open graphics compute stack. Sure, optimize it for the hardware you sell, why not, but then it's up to the "best" product instead of the one with the magic software juice.
This is pretty much my setup anyway. I run Pop Shell on top of Fedora and add dash to dock.
I'm just absolutely hooked on the autotiling built into pop shell.
If its an official spin all the better.