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There’s multiple versions of Brazil - the American version is just a little bit shorter. Those changes aren’t a big deal though. Howeverr, theres a made for TV version referred to as the “Love Wins Out” ending.
The movie is a parody of 1984 (absolutely hilarious and worth watching as are most things involving Terry Gilliam. I’ll spoil it a wee bit but the point isn’t these plot details.)
Basically, instead of Winston and Julia being lovers standing up to Big Brother, you have a delusional idiot who fucks up his pretty easy job in the evil totalitarian government by obsessing over and stalking a woman who has zero interest in him. His grip on reality is tenuous at best.
At the end, he fucks up and gets the Room 101 treatment. We’re treated to a fantastical scene as La Resistance comes in to save him, exciting bombings and car chases and reality bending visuals that are too ridiculous to be real. Him and the woman ride off into the sunset as badass rebels escaping the evil government.
That’s where the “Love Wins Out” movie stops. It’s clearly a hallucinatory dream sequence, and the actual ending reveals our “hero” has been tortured into insanity.
Like, the whole point of the movie is that she doesn’t like him, doesn’t know him, doesn’t want to know him. We don’t even know that she’s in La Resistance - it’s a great “unreliable narrator” film. But this TV version gives a character who exists to be an unlikeable moron the girl and a happy ending.
To be fair. That does sound like 1984 described by someone who has never read 1984 but keeps bringing it up like they have.
It really is made better by having actually read 1984. (Like, it’s not that difficult a novel? Medium sized, was comprehensible to me when I was in middle school. I can get pretending to have read/understood like Derrida or something - I do that all of the time - but seriously, it’s a novel that we ask high schoolers to tackle.)