We live in an era of absurd musical abundance. Streaming services put the (in)complete history of recorded music at our fingertips, with sophisticated recommendation algorithms that promise to tailor us the perfect playlist. More than 100,000 new tracks are uploaded every day to platforms like Spotify, Apple Music or SoundCloud. As the hip-hop innovator Kool Keith put it in a 2020 interview: ‘There’s so much new music out there that it’s just too much for the average antique person.’ It can be too much for any person, antique or otherwise. We’re saturated, inundated with the stuff. But the problem isn’t just abundance: it’s what we do with the musical riches at our fingertips.

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[–] rhythmisaprancer@kbin.social 2 points 10 months ago (1 children)

Well I just listened to a fair bit of Fleshvessel, amazing. Lots of different instrumentation and soundscapes there. I guess I have a new 'metal' band to get into!

A label I have listened to artists from is Cuneiform Records. Not the same genre outright, but similarly hard to classify groups. Not much singing.

[–] cwagner@beehaw.org 2 points 10 months ago (1 children)

Aww, what a teaser. I was getting excited to check them out, until the last 3 words. Vocals are essentially mandatory for me, even if they are only used as an additional instrument (like in Berio’s Sinfonia from 1969), I still require vocals.

[–] rhythmisaprancer@kbin.social 2 points 10 months ago

Ya I am definitely odd with that. My mom was a professional singer when I was a child, and so I grew up with her singing in the house. A lot haha. I don't know if that is why. Also, many (not all) things on that label are older/reissues, so not something you could see live probably.