Ask Lemmy

American Psycho would occasionally get so graphic about the torture shit that I'd have to read a couple of paragraphs and then pause and look out the window for a bit. Rinse, repeat. It would only be for a handful of pages here and there, but I've never had a similar experience with any other book. But I also rarely read fiction.

I tried to read The Reactionary Mind, but had to stop pretty early in. I consider myself to have a pretty decent vocabulary. Part of why is an OCD-like need to look up the meaning of any word I don't know when reading. However, this author was using so many words that I didn't know that I couldn't get into a flow. I kept having to pause and grab my phone for my dictionary app. Doing that many times per page just doesn't work. I really wanted to get the content from it but it was too distracting.

First thing that comes to mind is The Witcher (books), but my interpretation of worst is “its been the worst a book has left me feeling” and I don’t read a lot of books.

Dickens - A Tale Of Two Cities.

In ninth grade my class was forced to read it. No lie I actually never got past the second page. I tried so hard but was bored to death and confused by that intro. I used cliff notes to get through the assignments. Worst reading experience ever.

So I'm usually pretty careful with my "nonfiction", but somehow I got suckered into opening an absolute shit heap of utter nonsense called Power vs Force. I had to make a separate goodreads category called trash just so it didn't show up on my actual "read" list. Also, I finish damn near everything and couldn't get through more than about a chapter before wanting to vomit.

It's about on par with the South Park "this is what Scientologists actually believe" segment (no clue if that was faithful), except not funny.

The Winds of War. I enjoyed the Caine Mutiny so much, I plowed right through it and wanted more. Winds completely deflated that. I tried to read a couple other Woulk books and just couldn't get into any of them.

States of matter by David L. Goodestein. Just read the first paragraph tbh

The Darkroom of Damocles.

The big "twist" in the book basically gets pretty obviously announced in the first chapter "oh this person is exactly like me but better in every way I can conceive, how vexing. Gosh would I like to be him". It's almost spelled out.

Once the twist is known, the rest of the book makes little sense. Sure, the main character becomes an unreliable narrator, but he's not just twisting details; hugely important events can no longer happen if you assume the twist, because there's no physical way of it happening, unless the narrator is so extremely unreliable that you might as well be reading Jurassic Park only to reveal it was actually Terminator or something.

And then the book tries to end all clever by dangling the whole "was this the twist? Was it all real? Who knoooowws" making the book feel like a massive waste of time. Clearly the author wanted you to doubt the narrator at the end so you'd go back and think "oh was this/that a hint?", but with the twist being so painfully obvious it lands flat on its face.

I was hoping there'd be some clever ending that meta-played on the whole "the reader has been distrusting of the narrator"-ordeal, but there was nothing. Very unfulfilling reading experience.

The Ministry of Time by Kaliane Bradley was good because it started off with a lot of stuff I can relate to, but in a kind of neat Time Travel storyline set in the near future which is also great because I really only like Time Travel stories. Stuff like Khmer Rouge and refugee child growing up in the west and all that kind of stuff, all wrapped up in a strong female lead character. And then halfway through, the dude unzips his pants and it turns into a shitty Oxford Study romance where the strong protagonist is completely undone and turns into a colonizer worshipping story. Bullshit. I stopped reading and I'm still angry about it two months later. Fuck that story.

Also, Stations of the Tide was dry and I never finished it. I've tried 2-3 times. Swanwick is my favorite sorta-contemporary author but I don't know how that won so many awards. Am I missing something? It seems like everyone wants to herald that novel as great because they don't want to look dumb, but it's just all over the place compared to his later novels, much like Killing is My Business has a bunch of good riffs but is all over the place with no structure and nothing ever repeats so therefore it isn't as refined and memorable as Rust in Peace.

Couldn't get over the accent stuff in Huckleberry Finn. I gotta be able to flow state a book.