this post was submitted on 16 Mar 2024
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Digital Bioacoustics

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Welcome to c/DigitalBioacoustics, a unique niche in the vast universe of online forums and digital communities. At its core, bioacoustics is the study of sound in and from living organisms, an intriguing intersection of biology and acoustics. Digital bioacoustics, an extension of this field, involves using technology to capture, analyze, and interpret these biological sounds. This community is dedicated to exploring these fascinating aspects of nature through a digital lens.

As you delve into c/DigitalBioacoustics, you'll notice it's not just another technical forum. This space transcends the usual drone of server rooms or the monotonous tap-tap of keyboards. Here, members engage in a unique fusion of natural wonders and technological prowess. Imagine a world where the rustling of leaves, the chirping of birds, and the mysterious calls of nocturnal creatures meet the precision of digital recording and analysis.

Within this domain, we, the participants, become both observers and participants in an intricate dance. Our mission is to unravel the mysteries of nature's soundtrack, decoding the language of the wild through the lens of science. This journey is not just about data and graphs; it's about connecting with the primal rhythm of life itself.

As you venture deeper, the poetic essence of our community unfolds. Nature's raw concert, from the powerful songs of mating calls to the subtle whispers of predator and prey, creates a tapestry of sounds. We juxtapose these organic melodies with the mechanical beeps and buzzes of our equipment, a reminder of the constant interplay between the natural world and our quest to understand it.

Our community embodies the spirit of curious scientists and nature enthusiasts alike, all drawn to the mystery and majesty of the natural world. In this symphonic melding of science and nature, we discover not just answers, but also new questions and a deeper appreciation for the complex beauty of our planet.

c/DigitalBioacoustics is more than a mere digital gathering place. It's a living, breathing symphony of stories, each note a discovery, each pause a moment of reflection. Here, we celebrate the intricate dance of nature and technology, the joy of discovery, and the enduring quest for understanding in a world filled with both harmony and dissonance.

For those brave enough to explore its depths, c/DigitalBioacoustics offers a journey like no other: a melding of science and art, a discovery of nature's secrets, and a celebration of the eternal dance between the wild and the wired.

Related communities:

https://lemmy.world/c/awwnverts
https://lemmy.world/c/bats
!biology@mander.xyz
https://lemmy.world/c/birding
https://lemmy.world/c/capybara
https://lemmy.world/c/jellyfish
https://lemmy.world/c/nature
!open_source_ecology@slrpnk.net
https://lemmy.world/c/opossums
https://lemmy.world/c/raccoons
https://lemmy.world/c/skunks
https://lemmy.world/c/whales

Please let me know if you know of any other related communities or any other links I should add.

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[–] Haggunenons@lemmy.world 2 points 6 months ago

Summary made by Fabric's Wisdom Extractor

SUMMARY:

The paper, authored by Naoki Nomura, Koichiro Matsuno, Tomoaki Muranaka, and Jun Tomita, explores timing adjustment in living organisms, emphasizing the distinction between external observations of timing and organisms' internal decisions on when to act. It introduces concepts like upbeat/downbeat in music as analogies for predicting future actions and the E-series time, derived from semiotic/communicative perspectives, to demonstrate timing as a communicative, anticipatory, and meaning-entailing system.

IDEAS:

  • Timing is crucial for organisms to act appropriately in their environments, yet traditional notions of time may not apply internally to these organisms.
  • Organisms integrate time with actions rather than perceiving it as an independent entity.
  • The concept of E-series time involves timing co-adjusted through interaction, contrasting with objective or subjective time.
  • Upbeat/downbeat analogies from music help explain organisms' anticipatory actions.
  • Organisms' timing decisions are based on internal models or maps of their environment, rather than predetermined schedules.
  • The interaction between organisms, such as bumble bees and plants, can demonstrate anticipatory behavior and communication, leading to mutual benefits.
  • Timing in organisms involves a continuous process of learning and adaptation through trial and error.
  • The paper suggests that biological timing systems are fundamentally different from mechanical clocks, emphasizing communication and internal adjustments.

QUOTES:

  • "Timing adjustment is an important ability for living organisms."
  • "For us humans, time independently exists regardless of one’s being or acting."
  • "Our research team has been exploring avenues to the comprehensive time theory that covers biological behaviors."
  • "Without sensing some type of distinction or difference, it is difficult to attain meaning or information."
  • "Anticipation in this sense is not the projection of a definite outcome but a readiness to interpret emerging novelty."
  • "Bumble bees damage plant leaves and accelerate flower production when pollen is scarce."
  • "Timing (v.) is organizational because upbeat together with downbeat pick up momentum to organize the subsequent actions to follow."
  • "Biological systems are actuated with meaning and time in the E-series as a meaning procreator is synonymous with organizational."
  • "Unlike physical movements, the movement for time-ing accompanies the crossing between the different tenses."

FACTS:

  • Wild animals, plants, and humans must decide the optimal moment for actions like catching prey, blooming, or social interactions.
  • E-series time involves timing co-adjusted through interaction, essential for activities like singing in a chorus or birds flying in formation.
  • Upbeat/downbeat and command/report functions are used to explain timing adjustment in organisms, linking them to anticipation and future actions.
  • Learning in organisms is a process of continuous improvement through trial and error, different from the static behavior of machines.
  • The interaction between bumble bees and plants underlines the anticipatory and communicative nature of timing adjustments in the biological realm.

REFERENCES:

  • McTaggart's philosophical time series and its application to biosemiotics.
  • The musical concept of anacrusis (upbeat) as a model for understanding anticipatory behavior in organisms.
  • Studies on bumble bees damaging plant leaves to accelerate flowering, illustrating inter-species communication and anticipatory behavior.
  • Concepts like quorum sensing in bacteria, illustrating timing and communication at the microbial level.

RECOMMENDATIONS:

  • Consider the applicability of E-series time in understanding cooperative and communicative behaviors across different species.
  • Explore the role of internal models or maps in organisms' timing decisions, highlighting the significance of internal vs. external time perception.
  • Investigate the implications of timing adjustments on evolutionary processes and inter-species relationships.
  • Further research into how anticipatory behavior and timing adjustments contribute to the resilience and adaptability of biological systems.
  • Study the potential for applying concepts from timing in organisms to improve human-designed systems, emphasizing flexibility and adaptability.