Sure, that's the concept, and it's a problem. But that's not what the name "Human Resources" means. That's like saying the office of Veteran Affairs is implying that veterans are themselves affairs. The title is obviously meant to imply resources for humans. It's a lie, but that's what those words are supposed to mean. It's not called "Humans are Resources."
TheActualDevil
joined 1 year ago
You're allowed not to pay your taxes to fund socialist programs. There is a consequence of jail, but you have that choice. How is it different?
I'm sure that's a major part of it, but I also wouldn't want to live in a world where we could only get aspirin from willow bark. We either wouldn't have enough aspirin or we wouldn't have any more willow trees. Medicines derived from the actual source aren't possible on a global scale in most cases.
Capitalism is a blight on society and has lead to countless deaths. But in a utopia where money doesn't exist and people create medicine for the world only to help people with no profit they still need to synthesize it.
Have you ever watched a movie? Were you blown away by all the execs they added in the credits and assumed they must have had thousands of others under them not mentioned? Or do you not typically assume every other industry follows the same standard as yours?
What you said is akin to me saying "Why are they expecting their name on things? The restaurant I work at doesn't put my name on the menu when I'm cooking that night."
It's a different industry and I would be foolish to assume the standards in mine definitely should translate to others, and then confidently comment publicly about it.
"It's a very true dichotomy!"
Proceeds to make up an imagined scenario with a ridiculous fake name to prove it's reality.
I mean, sure, you can blame this batch on the internet and necessary SEO, but good artists being skipped over is nothing new. There were days before the internet (and even after it's implementation, but before the ecosystem you are talking about existed) where artists and band with immense talent were lost to time because things didn't line up just right for them to be successful. Bands played gig after gig, sending their singles to record companies and nothing happened. Just being good at a thing has never been enough. That's just step 1. Often, the right person has to see you, and that person has to be in the position to elevate you at the time. Maybe that industry guy was just in a bad mood that day and wasn't enjoying any music and you just got a bad night.
And we have examples of visual artists dying in obscurity only for their art to hit it big after their death. It's a whole trope in the art world. Van Gogh is probably the most famous. He died penniless having only sold a single painting while alive, and that was to his brother, a frickin art dealer! He even had a guy on the inside and couldn't make it. Impressionism was a new school, but not exactly empty. As a genre it basically got it's own museum in the Musée d'Orsay, and still, one of the greatest artists in the genre (and probably all art) couldn't get a fucking break. Talent is often not enough. Luck and timing have always been more important.
Go crazy?
I mean, easier? Sure. But I don't think most people would find it easy to just say go torture a guy. At least I hope so.
I've genuinely been trying to understand how people like the movie so much. The first time I watched it, I thought it was bad. So I came back to it a little while later and give it a second shot. Maybe I was just in a bad mood that day? Everyone seems to love it. Nope, still bad. Even gave it a third shot a few weeks ago and it felt even worse.
I read the first 3 books a few times, but I always try to put aside the source material when it moves to a new media. And the movie seemed to me like it was just a string of barely connected scenes, tied together solely because they shared characters. It was almost entirely just book references without trying to make a story out of them. It was entirely spectacle, and they still couldn't really get the scale right, which I think bugs me more than anything. It shows these giant buildings and ships that hint at vast crowds of people, and we only ever see a handful at a time on screen. Even "crowd" scenes are sparse. It feels like they're trying to make Arrakis feel giant and daunting to show the difference between the expansive dessert dwarfing crowds, then realized they didn't have the money for crowds so they just zoomed in on 4 people.
And they should have ended the story sooner. End with the climax battle and them getting to safety and save everything after for the next movie. Use that new time to actually get me invested in the characters, or the setting, or the story... anything. Make the first movie about palace intrigue as they know they're in danger and not sure who they can trust and gaining allies. Instead, all of that got like, one scene each and only makes sense if you've read the book. The best thing I can say is they put a tiny bit more effort in to showing Paul using the Voice before it's relevant to the story. So at least they cared enough about grounding that. Just not about literally anything else.
I desperately want someone to win me over and tell me what makes this a good movie. I feel like I'm missing something.
Great deal. You get 10 hours pay, they get perpetual use of your likeness for all eternity and you don't have to work ever again! Great deal for somebody.
I mean, he's aware of his popularity and privilege. He's made a few comments clarifying that it wasn't to "stick it to Amazon." He does have a problem with Amazon's business model when it comes to authors as well as the traditional publishing industry's barriers to new authors and he understands that these are people's only real option. He used that clout he has in the industry and his fiscal security to try help open up other avenues for publishing. And yeah, the guy is rich, but not publishing house rich. Printing thousands of books, then distributing them likely takes more liquid cash than he has available. He had a good idea of what it would cost and that's what was asked for on Kickstarter. If he hadn't made that, all the people would have kept their money. If more money was needed, he is rich and could probably cover it. I don't see any risk here that anyone shouldered except for him risking his goodwill with fans.
I try to be skeptical of people. Particularly successful people who have made a lot of money. But from everything I've seen, the man lives his values and seems to be a pretty good guy. For his Kickstarter books, when he was talking to Audible about the audiobook versions, they offered him a very good deal. Then he pushed them to tell what a typical author would get. When he heard how bad a deal that was, he refused.
The man really cares about books and their place in this world. He has been successful and made a lot of money and social power in the industry from decades of writing. Now he's using that to try and make the industry a better place for all writers while also still getting his books to his fans.
And my understanding is that his employees at Dragonsteel have profit sharing as part of their working there, on top of their paychecks. So any money he makes is also distributed throughout the staff. He also seems pretty liberal for a member of the LDS church and has spoken about his views evolving over the years as he's realized the reality around him. He seems like a pretty genuinely good guy doing his best to change the industry for the good of all writers.
I mean, the real answer is that chess is full of toxic people who've made it to the top to run the organization. The fact that this behavior wasn't curtailed already shows that. Its just an accepted part of it. If the ones who would make the decision to ban those players don't already see an issue they're not going to start now to make the space better for women.