TheDuffmaster

Agreed on both points, High and Low was the highlight for me over more spectacle focused films. Amazingly thought out movie with some very powerful character driven scenes.

https://mikeblyth.blogspot.com/2011/11/did-2800-bc-assyrian-tablet-complain.html?m=1

https://mikeblyth.blogspot.com/2011/11/did-2800-bc-assyrian-tablet-complain.html?m=1

He calls this his "best advice", definitely sounds like the kind of guy who's so brain dead he asks chat gpt how it would lead a large gaming conglomerate

Heard from someone who works at Microsoft, not the gaming branch, they’re telling new hires they havs 7 days to make a code change with AI or they’re out.

God this is going to be quite the bubble burst

"Monster", which IMO is much more interesting and clever then Death Note. And if you like that, "Pluto" by the same creator.

Code Geass is basically the same premise, but I feel like Death Note does a better job pretending to be some 400 IQ mind games then actually being intriguing and clever. Way more telling us the protagonist/antagonist is smart then showing us in subtle, engaging ways.

Still both good shows, but I just didn't see them as 10/10 masterpieces.

I believe vimeo used it when you tried to watch a video on their site, it worked well.

I will say I think the sequel was justified in how much more they added gameplay wise, taking advantage of advancements in processing power. It really opens up the world, the things you can do and see are incredible and are a huge jump from the first game.

This some good shit

2 also manages to improve on the gameplay in big ways, hardly a moment that isn't engaging and interesting and I never felt limited, and some very cool and atmospheric settings.

Also, grown Ellie is one of my favorite characters ever, so much well executed, human, relatable nuance, and that's a take that has nothing to do with her sexuality.