ericjmorey

joined 2 years ago
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[–] ericjmorey@discuss.online 5 points 3 months ago

Substack is newsletter focused, subscriptions are for individual substack writers' newsletters (you can't access all substack newsletters with a single subscription) and it has a recommendation feature that writers like because it can help them grow their subscribers and therefore grow their revenue.

[–] ericjmorey@discuss.online 2 points 3 months ago

Mastodon is not currently on the list

[–] ericjmorey@discuss.online 4 points 3 months ago* (last edited 3 months ago)

The problem I see with this idea is that I have no idea who most people are on "my" instance or what sort of content they're interested in. Even for a topic based instance like https://startrek.website/, outside of Star Trek, what are the chances that the interests of the members align?

The Lemmy developers were working on making user defined custom feeds. If that ever get implemented, I'd certainly give many ideas a try. But the Lemmy devs don't have any new feed options on their priority list and I doubt they will anytime soon.

The main dev (only dev?) of piefed seems much more likely to implement new ideas. For example, I had mentioned that only votes from a community's subscribers should be counted on posts to said community by default with the owner of the community given an option to count all votes. It was implemented within days.

[–] ericjmorey@discuss.online 2 points 3 months ago* (last edited 3 months ago)

They're going to events and taking nice pictures and releasing them to the public domain.

[–] ericjmorey@discuss.online 3 points 3 months ago

They could also pay for good pictures to be released to the public domain themselves.

But if someone wants to spend their time to do this uncompensated, they aren't doing any harm.

[–] ericjmorey@discuss.online 1 points 3 months ago

LOL I should have reread that one.

[–] ericjmorey@discuss.online 7 points 3 months ago* (last edited 3 months ago) (3 children)

The data is not centralized, but everyone is using the same ~~aggravation~~ aggregation service (indexer) to access the data.

[–] ericjmorey@discuss.online 6 points 3 months ago

No. All of your direct interactions are with your instance which federates with others.

[–] ericjmorey@discuss.online 8 points 3 months ago (1 children)

Don't trust him based on his prior comments

[–] ericjmorey@discuss.online 17 points 3 months ago (5 children)

I'm not a fan of Kagi's founder, so I generally don't use it.

 

This is the first time I'm seeing a way to host a full Bluesky network, I think. It seems like a big step towards full federation beyond appviews and personal data servers.

 

September 25, 2017
Marc Hogan writes:

Hit-making songwriters and producers reveal the ways they are tailoring tracks to fit a musical landscape dominated by streaming.

Throughout the history of recorded music, formats have helped shape what we hear. Our ideas about how long a single should be date back to what could fit on a 45 RPM 7" vinyl record. AM radio meant mono recordings, rather than stereo, and producer Phil Spector’s Wall of Sound—with its cavernous echo and massed instruments—was built for it, offering plenty of depth through a single speaker. Video killed the radio star. Ringtones birthed the quick-hit digital chirps of snap music. The requirements for American Top 40 FM radio, in particular, grew so byzantine by the early 2010s, when blaring, mathematically precise hits reigned supreme, that an industrial-strength supply chain of super-producers and songwriters emerged to fulfill them.

And now, streaming’s promise for listeners is also a gauntlet thrown down for creators. With tens of millions of songs just a few taps away, artists must compete or be skipped. The unprecedented wealth of data that streaming services use to curate their increasingly influential playlists gives the industry real-time feedback on what’s working, but this instant data-fication in turn risks feeding back on itself. While streaming has undoubtedly coincided with a shift in the pop charts away from the caffeinated bravado of several years ago, streaming-era hits appear to be as rigidly defined and formulaic as ever—if not more so.

Read Uncovering How Streaming Is Changing the Sound of Pop

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