this post was submitted on 24 Dec 2024
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Robert Eggers’ Nosferatu is everything that’s beautiful and horrifying about classic vampire stories.

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[–] MrJameGumb@lemmy.world 2 points 3 days ago (1 children)

I think my biggest issue was how cartoonishly evil Count Orlok seemed. That accent they gave him made me think more of Boris Badenov than the prince of darkness. Also a lot of the characters seemed kind of one dimensional and I couldn't really get invested in any of them. I agree it had a lot in common with the Coppola version but just more stripped down and monochromatic. By the time Nosferatu ended I just wanted to go watch the Coppola one again. I agree Depp and Dafoe were the best parts of the film.

[–] TwoFacedJanus1968@lemmy.world 2 points 3 days ago

Yeah, that is interesting about Orlock. He was cartoonish or poorly fleshed out at least in what was shown and heard on screen. Klaus Kinski's version in the Herzog film was more interesting - even Willem Dafoe's version in SHADOW OF THE VAMPIRE was more entertaining.

An interesting take on the character but not a compelling one. Also, confusing in the sense that he seemed to understand himself in ways that would be impossible if it were true. Like when he says that he is only an appetite. If that were true, then how would he be able to understand that? Is anything he says the truth? Did Ellen essentially conjure him from the darkness? So, in a way, his motivations must be deeper than that.

In general, I felt like there was a much more well developed world behind the story and the film only displayed its surface.