golli

joined 1 month ago
[–] golli@sopuli.xyz -1 points 2 weeks ago (18 children)

Controversial opinion: I don't see a justification for ANY voting age.

For adults we (rightfully) don't make voting dependent on mental or physical capacity, being dependent on other people, and there also is no upper age limit.

So i wouldn't be opposed to allowing anyone elegible for voting to do so when he/she expresses the wish to do so.

[–] golli@sopuli.xyz 1 points 2 weeks ago (1 children)

Yeah that sometimes happens. Not every show clicks with everyone.

White Lotus had me wanting to know more about what those people were up to.

To be fair in a way Andor isn't this kind of show anyways, since from before it even started we know how it'll end in Rouge One.

[–] golli@sopuli.xyz 1 points 2 weeks ago

Exactly. And also i think it's hard to see those superhero movies aimed at establishing a franchise as something standalone.

[...] Superman is just the first step,” he added. “Over the next year alone, DC Studios will introduce the films Supergirl and Clayface in theaters and the series Lanterns on HBO Max, all part of a bold ten-year plan.

This excerpt from the article really says it all.

[–] golli@sopuli.xyz 1 points 2 weeks ago (2 children)

My line of thought is that yes the end goal is shareholder value/money, but the method varies. You can go for quality or quantity, or for long vs short term profits. And those steps in-between matter.

In this case with WB and Superman the amount of money an occasional Superman movie can make is not enough, they want that sweet franchise model. But you can't just will that into place, as they've demonstrated with their failure to do so so far.

There has to be some substance at the start before you can roll out even lesser IP and make bank like marvel. Which is why in this instance they probably don't care as much about the profit from this movie, but try to optimize it more for audience and critic appeal.

[–] golli@sopuli.xyz 2 points 2 weeks ago* (last edited 2 weeks ago) (4 children)

Apart from billionaire pet projects like Laika that might be true, but this seems a bit too reductionist. There are many ways to go about it and the difference matters. Unless you want to tell me the the whole media industry from Netflix to A24 does the exact same thing.

[–] golli@sopuli.xyz 3 points 2 weeks ago (3 children)

Do you mean the first couple of episodes of the first or second season? Been a while since I watched the first season. In any case Andor is comparatively a bit of a slower burn, but comes together very well imo.

As far as White Lotus goes I have no doubt that it is pretty good. I've heard lots of praise and the likes of Carrie Coon obviously are great actresses. It's just 4 out of 7? When Andor isn't short on amazing female performance either, like for example Denise Gough as Dedra Meero, Genevieve O’Reilly as Mon Mothma, or Elizabeth Dulau as Kleya Marki. (I assume they would count as supporting characters)

[–] golli@sopuli.xyz 2 points 2 weeks ago* (last edited 2 weeks ago) (5 children)

Yeah it's a travesty. I haven't seen The White Lotus, but it has to be the greatest acted show of all time that they for example give 4/7 spots for supporting actress in a drama series to it without even giving one to Andor. Also The Last of Us season 2 getting some of those nominations over Andor doesn't track either.

[–] golli@sopuli.xyz 50 points 2 weeks ago (1 children)

Glaub ich ihm sogar. Der Typ ist damit beschäftigt Milliardensummen in die Taschen anderer zu scheffeln, da sind solche Summen nicht Mal Rundungsfehler.

[–] golli@sopuli.xyz 37 points 2 weeks ago* (last edited 2 weeks ago) (8 children)

I think this is one of the few cases where the studio does care more about the critical and especially fan reception than the box office returns. They are trying to relaunch their whole franchise and this is one of the cornerstones.

Also $1b is just way off considering not a single superman movie has ever achieved it based on this source.

[–] golli@sopuli.xyz 1 points 2 weeks ago

American Sweatshop: Watched it recently at a film festival, not sure if it can be watched somewhere else yet. Overall i liked it, but wasn't blown away by it. Going into it i was expecting it to be a bit more like On Falling, which imo has a somwhat similar setting with both protagonists working terrible minimum wage jobs (in content management and a amazon warehouse respectively). But where On Falling was more quiet/bleak and documentary like, American Sweatshop leaned more into having a thriller angle. Also still weird seeing reddit as a social media site in a movie.

Little Forest: Recently watched the Korean version of Little Forest from 2018 to compare it to the Japanese one Little Forest: Summer/Autumn and Winter/Spring from 2014/15. It wasn't bad, but i have to say i vastly prefer the japanese one, which imo is amazing; Just the perfect mix of delicious food, nature, farming, cozy atmosphere and great character development. This one just didn't manage to create the same vibe.

[–] golli@sopuli.xyz 1 points 3 weeks ago

I mean in the server space Linux has already won and is doing just fine. Imo it is actually the reverse and sad that it needs this level of turmoil to get Europe to even think about software and digital infrastructure as fundamental. And even with all that's going on they are just dipping their toes into it rather than properly comitting to a radical shift. Hell, even with all that's going on some parts of the police here in Germany are still getting into bed with companies like Palantir.

[–] golli@sopuli.xyz 26 points 3 weeks ago* (last edited 3 weeks ago) (1 children)

You and all the companies training their AI models, like Meta for example

view more: ‹ prev next ›