tal

joined 2 years ago
[–] tal 13 points 2 days ago (1 children)

Blade Runner was made in 1982 and set in 2019 Los Angeles. I think that in most ways, real life 2019 was closer to 1982 than Blade Runner 2019.

[–] tal 12 points 2 days ago* (last edited 2 days ago) (1 children)

That's especially concerning because South Korea's population is aging at an extremely rapid rate, and they need what incoming workforce they have to be participating.

They had a TFR of 0.75 in 2024. A woman was averaging having three-quarters of a kid in her lifetime. A level necessary to sustain the population is about 2.1.

[–] tal 23 points 3 days ago (2 children)

https://catb.org/jargon/html/magic-story.html

A Story About ‘Magic'

Some years ago, I (GLS) was snooping around in the cabinets that housed the MIT AI Lab's PDP-10, and noticed a little switch glued to the frame of one cabinet. It was obviously a homebrew job, added by one of the lab's hardware hackers (no one knows who).

You don't touch an unknown switch on a computer without knowing what it does, because you might crash the computer. The switch was labeled in a most unhelpful way. It had two positions, and scrawled in pencil on the metal switch body were the words ‘magic' and ‘more magic'. The switch was in the ‘more magic' position.

I called another hacker over to look at it. He had never seen the switch before either. Closer examination revealed that the switch had only one wire running to it! The other end of the wire did disappear into the maze of wires inside the computer, but it's a basic fact of electricity that a switch can't do anything unless there are two wires connected to it. This switch had a wire connected on one side and no wire on its other side.

It was clear that this switch was someone's idea of a silly joke. Convinced by our reasoning that the switch was inoperative, we flipped it. The computer instantly crashed.

Imagine our utter astonishment. We wrote it off as coincidence, but nevertheless restored the switch to the ‘more magic’ position before reviving the computer.

A year later, I told this story to yet another hacker, David Moon as I recall. He clearly doubted my sanity, or suspected me of a supernatural belief in the power of this switch, or perhaps thought I was fooling him with a bogus saga. To prove it to him, I showed him the very switch, still glued to the cabinet frame with only one wire connected to it, still in the ‘more magic’ position. We scrutinized the switch and its lone connection, and found that the other end of the wire, though connected to the computer wiring, was connected to a ground pin. That clearly made the switch doubly useless: not only was it electrically nonoperative, but it was connected to a place that couldn't affect anything anyway. So we flipped the switch.

The computer promptly crashed.

This time we ran for Richard Greenblatt, a long-time MIT hacker, who was close at hand. He had never noticed the switch before, either. He inspected it, concluded it was useless, got some diagonal cutters and diked it out. We then revived the computer and it has run fine ever since.

We still don't know how the switch crashed the machine. There is a theory that some circuit near the ground pin was marginal, and flipping the switch changed the electrical capacitance enough to upset the circuit as millionth-of-a-second pulses went through it. But we'll never know for sure; all we can really say is that the switch was magic.

I still have that switch in my basement. Maybe I'm silly, but I usually keep it set on ‘more magic’.

1994: Another explanation of this story has since been offered. Note that the switch body was metal. Suppose that the non-connected side of the switch was connected to the switch body (usually the body is connected to a separate earth lug, but there are exceptions). The body is connected to the computer case, which is, presumably, grounded. Now the circuit ground within the machine isn't necessarily at the same potential as the case ground, so flipping the switch connected the circuit ground to the case ground, causing a voltage drop/jump which reset the machine. This was probably discovered by someone who found out the hard way that there was a potential difference between the two, and who then wired in the switch as a joke.

[–] tal 6 points 3 days ago* (last edited 3 days ago)

“If I could vote, I would have voted for Trump,” he says. “He’s the strongest president when it comes to Cuba.”

To be fair, that's probably accurate; my guess is that Trump probably takes a harder line on Cuba than Harris would. If someone has strongly anti-Cuban-government positions, then, yeah, I can see why that'd be an concern for them.

kagis

This is from prior to the general election, comparing Cuba positions:

https://www.firstpost.com/world/harris-trump-offer-little-hope-for-us-cuba-detente-as-election-looms-13829936.html

For decades, the United States has enforced a trade embargo against the island that complicates Cuba’s global financial transactions. Trump’s designation of Cuba as a state sponsor of terrorism and reinstatement of other restrictions during his 2017-2021 presidency snuffed out an historic rapprochement under former President Barack Obama, under whom President Joe Biden served as vice president.

Both candidates said in brief statements they would continue to draw a hard line on Cuba.

“Cuba is not prepared, nor will it be prepared to resist any more pressure (from the United States),” said Carlos Alzugaray, a former Cuban diplomat who is now an independent political analyst.

Alzugaray said a second Trump presidency “does not bode well.” He had more hope for a Harris presidency, which he said could ease sanctions to avoid another potential international conflict so close to US shores.

But he said there were no guarantees.

Yeah.

The point the article makes, that Trump is taking an unfriendly position towards political refugees from Cuba, is also valid, though. If you're someone who is opposed to the Cuban government and wants pressure on it...but also someone who fled to the US, you're going to have to be balancing those positions.

[–] tal 36 points 3 days ago

They seem to be adapting to modern society pretty well.

[–] tal 45 points 3 days ago (4 children)

Based on the article, it lets her ask them things that she doesn't want to ask her parents, though I'm not sure that if I were 9 years old that I'd suddenly want to discover that my parents have a list of everything I've asked it and are reading through it, much less that Amazon has a database.

[–] tal 134 points 3 days ago* (last edited 3 days ago) (19 children)

In 2023, 60% of UK households had a smart speaker, up from 22% before the pandemic.

Jesus Christ. I had no idea so many people were buying these things. That's astounding.

If you'd asked me to guess what percentage of households had one, I'd have guessed single digits.

[–] tal 3 points 3 days ago* (last edited 3 days ago)

how is me renting a car and fueling it less expensive than a train seat for the literal same route?

Car rental companies operate in a competitive market, as do gas stations. Competitive markets are pretty good at driving prices down.

Trains tend not to.

https://www.economicsonline.co.uk/business_economics/natural_monopolies.html/

Railways as a natural monopoly

Railways are often considered a typical example of a natural monopoly. The very high costs of laying track and building a network, as well as the costs of buying or leasing the trains, would prohibit, or deter, the entry of a competitor.

To society, the costs associated with building and running a rival network would be wasteful.

[–] tal 14 points 3 days ago (1 children)

I can see and feel the headcrab like it's actually there.

[–] tal 3 points 3 days ago

Stories have a lower cost of production, which also permits for a wider variety of topics to be covered.

Thr lower the cost of production, the better you can do a better job of covering the long tail, providing smaller quantities of stuff that's more niche or specialized, and have a smaller pool of people who are interested in it.

https://en.wikipedia.org/wiki/Long_tail

In business, the term long tail is applied to rank-size distributions or rank-frequency distributions (primarily of popularity), which often form power laws and are thus long-tailed distributions in the statistical sense. This is used to describe the retailing strategy of selling many unique items with relatively small quantities sold of each (the "long tail")—usually in addition to selling fewer popular items in large quantities (the "head"). 

Anderson cites research published in 2003 by Erik Brynjolfsson, Yu (Jeffrey) Hu, and Michael D. Smith, who first used a log-linear curve on an XY graph to describe the relationship between Amazon.com sales and sales ranking. They showed that the primary value of the internet to consumers comes from releasing new sources of value by providing access to products in the long tail.[10]

[–] tal 18 points 3 days ago* (last edited 3 days ago) (2 children)

At some point in humanity's future, I assume that it will be a thing and be widespread. Just too many potential benefits to having high-bandwidth links to the brain not to eventually do it.

But it's a path with a lot of hurdles along the way, and risks.

[–] tal 51 points 3 days ago* (last edited 3 days ago)

The Valve Deckard was a little more ambitious than had been originally anticipated.

292
Japonazis (lemmy.today)
submitted 6 months ago* (last edited 6 months ago) by tal to c/outofcontextcomics@lemmy.world
 
 

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A photograph of a white cat. The background is black. The cat has large yellow orange eyes with a reddish ring around the outer edge of the iris. The cat has an uncanny extremely wide smile with many visible pointed teeth. The cat is staring intently at the viewer. Teeth are visible all along the cat's lips. The cat is terrifying. The irises of the cat's eyes are constricted.

The theme is horror.

uncanny-cat-workflow.json.xz.base64/Td6WFoAAATm1rRGBMDuDd5aIQEWAAAAAAAAAHL+Qx3gLV0G5l0APYKAFxwti8poPaQKsgzf7gNj HOV2cM7dN97GoIvoTF/iSMYEQoJZBJzI3UDxBXrl3MvcMb5e6h3lATBYjawf1klb5xXG0y783VSu rsL7JTqCcpc7ml6EBcQysA/lczXi4/z4NEU2MzJ6gMxLs5qhHCWRzV2fkgD1H3KHbl2of4CNliwR JNef6hoZP4HFMLybTP66HNwa0oszmGtepDwWHXSrlYVAso8imkQU11LM4qXGRXQKKo6EvjyTeYPG eZvQb4FxhvQIkQHLQWfLOyENpBMbl2mOgW0siOFXT72aS9mBHSeYP8AzU1giF+yk4IQh8W8UCh+k wncXTpG2M2mdiF0t0fMlAoOmMD0dDDSlpTIhgkEUgqjuFzi7YRnIgI9xJ4RbMQqrVgcEj4C8LWsP q8Pt9DnxVUmUQXwS04QFJpghbh6a73UsV1kjFiQZ9yo4RhR5ouTehVLXwyXn9E0/MW3nIZGdW6cW BqD/FwjDedfDigE0VsQAWD9OfH1I4pjkNePpmoHErOG2KQ9vec7Rd5iPWUIgxnBiNdg8Hczv3Ggy e02Chw1yzKXcTaIVW6tMxm5H62cyRRwy5a0Rn3KVLVQTyaZt2f+GplozjiLe3T1X8E7sKPoVWNsX cVGRPGouZdNO00VQlpmaKnpf9BXG+ujVGn0WCzsTBZZLqJNfGE5CwOMGqqib2L3pNFfDThrK4+0i sqeNLHfYJ2UXCbMUctChz5zJEAe+MV6XbyIfBbQMZkG6GOctBluiUhfzA4qf85BR/hXqvhTx5xip G3n962gE77rv66HNo/9txIJWGqsiiSjabEiBEx0qSCh+NNnTKYsJQ6RBXP32bf08N4JY+7UqIZGe WuNYm3a3jWOt+6RsMwiCP195/UKkAwNqBqG2yIRAHGuzUs6CVYI9lDcf9m/FQukO/I0obAAw6IRM /hXHlor9yPO1D8oTVaO2TUvEkWqCk9gPXthKliHF2SPKdFd5N9zhtWNySz0LN4aXMt3l37GS5zpn 4loRFEiTUCW2Ng0lPWmB2WvlMCwaCPIFbU7YgJcm+GLgkozcNJxcEtT5BH6kqvwuMFCfb4MZ9i5H +po+3hFlnd4FxwGTDroSyNte/7hhGBLvPURDI6ftOi+z1uWVR8xlBJKHA3TfLM93l8DKhYVFAHNY ZvRmQWnwPgIkD5UWbmoaGfbxZ4QMNKb4ZE3xq/ad9blcmjx7rEf6jA3Zx3bZewSxeQGsvdUjIqO1 HVkmOhyAKSEmYA4XJb6jxQtp/Nxocw/pAWLFFPykNf1nRB+9BcYGHEcYZG6vHhPkPpjMtkk2r5FB bFar/qlSShdPTit2K86isfkxzV5aG/ljNKSpSIT8gOL+2X0fmWgD8uFfClbU0MR8/43oMFbISd5J vW28wOTazbh7xI+A5MmAQw3oChEGrG1y/p/l4/nwOwyI/B1RG+cBEedY5wAmuflDgoo2ytR56vX2 GpuD7JeobfkGCDUWH4w6liqXoYsUApyqf9IyAA9EQm5opVAp2Es6j23eiGnaSY7yG0GTxOlTVWHt MRRLZKD+eM27CIdGkd+85T+YMrrop0IPfnu3XcRrd2FiVXur2IBckebJgR4HxppT9OwjMw0DZyDu duafMt3aP9Fkxe+5K40gyvHZC+ovM0rgPndCcIE9W7l1O+NVEDY6bGGZ5OXCZSVd6CDl7j44DyLu LG7yHcxSmyaNvqQHhrH53R/k+fp61lwg5Wbi+El8l5/0B/Lh/eldfcHOIqBq4nuQbzlhGEI/SsiD GlX4GDYJRBJbrj/g1v8isRQ+oeA9eIOUhp283ClCRrugJTlQXKcMIHhMneSuk4SygqNh5kr3phR/ T4nQL02cZsSJ60u1m1NlqRUz+Vs7z9Z2erAelfIGZutbvjcU39tQQq8MuEJlBbrpK9Qjcl7iYgUr +l0a9pGQ6oiKcvfPFfjCjkfdNs3cePMxMkzOJRKsQjqkgdudiXnxm3J86c4h/qj8QvjAcqUqCVvG suRZ9L28Len5wYMqhTYO9ZqmxDuOa2oMPA5CNrc60ECvhRzGL/GDiYLmBEjGiFBTy2eQFm2y+qhy MAAgzOAUFNsZvckgtL45qhfDl+2rQTI5H/YjSEu9M4bMxxSNvOpA4wqemVPX22GN4l5F+Ph0SNb5 TyUO0UhRZCMLMKBZnhBdl2pX13b7Nx7irTC8xAS572OLizCPQjNhhi1Cuem5yWF7qIApZb8CKT4M mIeDR8JSfFOG1EowiLhrwiuyk/9S/4kMLbo8e0I+UeghinlTbWzlLid1qRbTaHsSaMLnIUQQIbyW zfyCXsgJNJbCJKZ6cUjW1n2a7XOpdlz6//ZxdmKLFbKU+Vq9dPgAAAAM8g4pHnoABwABig7eWgAA zjjuZLHEZ/sCAAAAAARZWg==

28
submitted 6 months ago* (last edited 6 months ago) by tal to c/imageai@sh.itjust.works
 

UI: ComfyUI

Model: STOIQNewrealityFLUXSD_F1DAlpha

A stylized vector illustration of a small 1940s fishing boat at sea in a tempest.

The image is minimalist.

The image is at night, with moonlight shining on the waves.

There are many clouds and heavy rain. There are large waves. The image is dark and shadowed.

The cabin of the boat is illuminated with a buttery yellow light.

There are shark fins in the water.

The theme is horror.

alone-at-sea-workflow.json.xz.base64/Td6WFoAAATm1rRGBMDkDeZaIQEWAAAAAAAAABNkUd3gLWUG3F0APYKAFxwti8poPaQKsgzf7gNj HOV2cM7dN97GoIvoTF/iSMYEQoJZBJzI3UDxBXrl3MvcMb5e6h3lATBYjawf1klb5xXG0y783VSu rsL7JTqCcpc7ml6EBcQysA/lczXi4/z4NEU2MzJ6gMxLs5qhHCWRzV2fkgD1H3KHbl2of4CNliwR JNef6hoZP4HFMLybTP66HNwa0oszmGtepDwWHXSrlYVAso8imkQU11LM4qXGRXQKKo6EvjyTeYPG eZvQb4FxhvQIkQHLQWfLOyENpBMbl2mOgW0siOFXT72aS9mBHSeYP8AzU1giF+yk4IQh8W8UCh+k wncXTpG2M2mdiF0t0fMlAoOmMD0dDDSlpTIhgkEUgqjuFzi7YRnIgI9xJ4RbMQqrVgcEj4C8LWsP q8Pt9DnxVUmUQXwS04QFJpghbh6a73UsV1kjFiQZ9yo4RhR5ouTehVLXwyXn9E0/MW3nIZGdW6cW BqD/FwjDedfDigE0VsQAWD9OfH1I4pjkNePpmoHErOG2KQ9vec7Rd5iPWUIgxnBiNdg8Hczv3Ggy e02Chw1yzKXcTaIVW6tMxm5H62cyRRwy5a0Rn3KVLVQTyaZt2f+GplozjiLe3T1X8E7sKPoVWNsX cVGRPGouZdNO00VQlpmaKnpf9BXG+ujVGn0WCzsTBZZLqJNfGE5CwOMGqqib2L3pNFfDThrK4+0i sqeNLHfYJ2UXCbMUctChz5zJEAe+MV6XbyIfBbQMZkG6GOctBluiUhfzA4qf85BR/hXqvhTx5xip G3n962gE77rv66HNo/9txIJWGqsiiSjabEiBEx0qSCh+NNnTKYsJQ6RBXP32bf08N4JY+7UqIZGe WuNYm3a3jWOt+6RsMwiCP195/UKkAwNqBqG2yIRAHGuzUs6CVYI9lDcf9m/FQukO/I0obAAw6IRM /hXHlor9yPO1D8oTVaO2TUvEkWqCk9gPXthKliHF2SPKdFd5N9zhtWNySz0LN4aXMt3l37GS5zpn 4loRFEiTUCW2Ng0lPWmB2WvlMCwaCPIFbU7YgJcm+GLgkozcNJxcEtT5BH6kqvwuMFCfb4MZ9i5H +po+3hFlnd4FxwGTDroSyNte/7hhGBLvPURDI6ftOi+z1uWVR8xlBJKHA3TfLM93l8DKhYVFAHNY ZvRmQWnwPgIkD5UWbmoaGfbxZ4QMNKb4ZE3xq/ad9blcmjx7rEf6jA3Zx3bZewSxeQGsvdUjIqO1 HVkmOhyAKSEmYA4XJb6jxQtp/Nxocw/pAWLFFPykNf1nRB+9BcYGHEcYZG6vHhPkPpjMtkk2r5FB bFar/qlSShdPTit2K86isfkxzV5aG/ljNKSpSIT8gOL+2X0fmWgD8uFfClbU0MR8/43oMFbISd5J vW28wOTazbh7xI+A5MmAQw3oChEGrG1y/p/l4/nwOwyI/B1RG+cBEedY5wAmuflDgoo2ytR56vX2 GpuD7JeobfkGCDUWH4w6liqXoYsUApyqf9IyAA9EQm5opVAp2Es6j23eiGnaSY7yG0GTxOlTVWHt MRRLZKD+eM27CIdGkd+85T+YMrrop0IPfnu3XcRrd2FiVXur2IBckebJgR4HxppT9OwjMw0DZyDu duafMt3aP9Fkxe+5K40gyvHZC+ovM0rgPndCcIE9W7l1O+NVEDY6bGGZ5OXCZSVd6CDl7j44DyLu fpbD1CXC3HEQVxLVQZGa6Bbvn82sM2Xgi3OFpJbjDWllPRMhoEl8bwoY8uu8ejAnzaWUFZFzfNMx RNsJDgy4Eop6wB450szJOXErRDAFxujrHC3Ub1QbLfSOIOyPVQVPi314Ju05cCCicFsGn44iItD8 gg+9XEHoqNv/noAjD7JVBVQI6aQF07cqxJYJZg94CltcCrU+NYGnB1Ux12zJIICOTnqU7fHM1HY7 OMpuk2BoBOO4DOfGQTQCbLf+kH7Ov9LitU4BviCIQmS7PH9Xz6Q5LE0udZS6/0Icpk8pvRY2NV2R 3Ye1UsZKi/NZTsK3xcZ21PhsMh7anf+omC7C/PjnwM800by0kBL5mdy3GhAz+uTnvvsj7/lz5V8V xl0xHg3JCaO7ab8riwbdwmItupxhu9tpjfqZiMYjyJlTnfDH2abZMr1En+A3ve4wTNUD7ua6dhMH zFLIBMDTrNyU/FBbWiOHdft+9lUUm3gQliCRURuh96l76SmpEqY7N4kTsl55DnMfxKPQ2SWsSTvq MJ9qdndT/8gnjHAaRvonn3LRuUgVtBh7XCgmiSufaBCfavCtBIsqhq156lLHcdaLoPRluYePIbm/ u5ZoV/SjFEgJHefh5o1boBaO+fIlDpbtpEYYgAAVHtLp7vXULAABgA7mWgAA5svq8LHEZ/sCAAAA AARZWg==

 

ComfyUI is a locally-run UI (i.e. you need to have a beefy local GPU) that's generally more-complicated to learn than the older, more-common Automatic1111. However, it works kind of like some professional image-processing software does, lets you create a directed acyclic graph, lets one build up complicated workflows using those. It's also got some nice features, like the ability to queue up multiple requests (though it's not the only UI to do this, it's kind of a glaring limitation in Automatic1111). ComfyUI also caches what it has generated while traversing the DAG, and only regenerates what data is necessary. It's also capable of doing Flux, which Automatic1111 is not, and while Flux is not today a full replacement for everything I have done with Stable Diffusion, it can do a lot and has a far better ability to understand natural-language descriptions of scenes and less propensity to generate mangled images. As a result, I generally use ComfyUI rather than Automatic1111 now; it's a more "serious" tool for building up complex stuff.

Automatic1111 mostly consists of a positive prompt, a negative prompt, and maybe fields for any plugins you've installed. There are entirely-decoupled features for generating an image from text (txt2img) and processing existing images (img2img). Since often one may want to generate an image and then process it, this makes image generation a multi-stage process, which requires a lot of manual involvement.

In Automatic1111, some information about how to generate the image is displayed beneath the image. You can copy this from the Web UI. It'll contain the prompt text and -- I think -- all of the settings in the txt2img panel, at least as long as any plugins used properly implement this feature. So you can let someone else see what you did and recreate the image by posting the text there, post the "source code" of your image; when I post an image generated in Automatic1111, I paste this text beneath the image. It contains stuff like the scheduler used, how many iterations were run, and so forth.

However:

  • It doesn't contain system settings, some of which are necessary to recreate the image.

  • Running txt2img and img2img are two different steps. So, for example, if you want to generate an image in txt2img at a lower resolution, then take the resulting image and upscale it in img2img using the SD Ultimate Upscale plugin -- something that I generally do -- then these are two different operations.

  • While it's nice that it's human-readable, It's not machine-readable. Someone else can't just paste the text into their Automatic1111 setup and have it import those settings. They need to manually enter it.

In contrast, ComfyUI lets someone save their entire DAG workflow by just clicking "save". It'll generate a JSON file that anyone else can open and use (and tweak, if they want). This is much, much nicer in my book, since it lets me share the "source code" to my images with other users in a way that's trivial for them to import.

Both Automatic1111 and ComfyUI attach their text to the image in EXIF tags and indicate that the image is AI-generated (probably good practice to help avoid polluting later training data). On Linux, I can use ImageMagick, for example, to see this, run $ identify -verbose image.png. Unfortunately, Lemmy or Pictrs or whatever the image-posting functionality is for Lemmy instances, appears to strip EXIF data out of posted images, maybe to keep people from inadvertently doxxing themselves, as some cameras attach GPS EXIF data. People have inadvertently doxxed themselves in the past on Reddit and probably other platforms. So end users here don't get to actually see the embedded source to generated images, even though both Automatic1111 and ComfyUI do their best to include it. While I don't post images on civitai.com, I suspect that the way they get all of their image metadata is by inspecting that EXIF data about the generation process from posted generated images...but that's not an option here.

I've generally tried to just manually post it, which I think is good practice.

For posting ComfyUI JSON workflows, there are two issues.

  • First, compared to the text that Automatic1111 provides, the JSON is quite verbose. It's pretty-printed, which makes it easier to read, but even longer. Trying to post it verbatim in the text after each image would take up a great amount of screen space for users here.

  • Second, while it's readable, most of what an end user is probably often interested in is just what the prompt and maybe the model used is. Digging through a lot of JSON for that is a pain -- it's readable, but certainly not as much as Automatic1111's summary.

What I've settled on -- and what I think is a good convention, if you're using ComfyUI and want to share the "source code" to your image -- is to post the model name and prompt manually beneath the image, since this lets someone just skimming the image quickly see and understand the basic settings used to generate the image.

I then also save the workflow from ComfyUI and generate a compressed, Base64-encoded version of that text, and attach it in spoiler tags. Lemmy, mbin, and AFAIK piefed and sublinks do not have the ability to do file attachments to posts, so this is probably the closest analog presently available to embed a small file in a post.

I use xz (which does LZMA compression), as it's an open-source compressor widely-available on Linux systems; LZMA is one of the "tightest" of the mainstream compression mechanisms. While it's far from the fastest, the workflow files are tiny, so speed does not matter.

That generates binary output, which cannot be posted. I then Base64-encode them, which generates a text string using characters that can be posted here. Various mechanisms have been used for this on Usenet in the past, including uuencode and yEnc, so making use of that existing work makes sense. I think that Base64, while not as compact as yenc, is the most-widely-used today, and I know that the restrictive character set used doesn't smack into any Markdown encoding issues, so went with that.

I've written a shell script that can do this automatically for other folks using Linux. This will take an existing workflow file, xz-compress it, Base64-encode it, prefix each line with four spaces so that the text is displayed literally by Markdown and not wrapped at each line, and then wraps the text in spoiler tags, so that in the Lemmy Web UI and any other clients that support it, the text is collapsed by default, as well as labeling the text with the filename. If anyone else is interested:

mylemmybinaryencode.sh#!/bin/bash

# Encode a file such that it can be pasted into a Lemmy markdown comment.
# Depends on coreutils, sed, and xz-utils.
# Usage: mylemmybinaryencode.sh <filename>

filename="$@"

echo "
spoiler $filename.xz.base64" xz <"$filename"|base64 -|sed "s/^/ /" echo ":::"

:::

Or, packed by itself:

mylemmybinaryencode.sh.xz.base64/Td6WFoAAATm1rRGBMDiAZkCIQEWAAAAAAAAALq0iivgARgA2l0AEYhCRj30GGqmZ696n29pZ/wy PqoDRKrP1e/xkfKsvL3J6/JBbESIPdita8Z9IMCRYuI3nDfnFrBIvwtRBCG5J+fDj7GChWZjfgeA kL5tWCWlAcpEnmNTJMlyQTDSK6iLBMF5ZaJvRY9t9iLbcg43dsdZNzeLULqatpbJe1mCZXSW4v6w +lPm/welW7rbmCnsLrN0jnxc97O/hOlwp9UgtdMD0sc1Z5n9oghIQCi7NfD0mxwGSoerSr4SI2LI FkL+X6CrJc8zSvDY5PPs5DvSXp37EboLt9KwG24AAACwUZBzqi5LkwAB/gGZAgAARP9hErHEZ/sC AAAAAARZWg==

On Debian-family Linux systems (most, these days), you'll need to have the xz-utils, sed, and coreutils packages installed. I suspect that pretty much all Linux systems out there already have these pre-installed, as they're very common utilties.

To decode such a file, one can do:

$ base64 -d <filename.xz.base64 | xz -d >filename

I'm sure that there are utilities on other platforms that can also handle Base64 and xz-compressed data (I've several other packages installed on my own), but that uses probably the most-widely-available utilities to do so.

Just wanted to provide at least what I do when posting images, and explain why.

32
Progression (lemmy.today)
submitted 6 months ago by tal to c/imageai@sh.itjust.works
 

UI: ComfyUI

Model: STOIQNewrealityFLUXSD_F1DAlpha

An image divided into five seamless sections showing a progression from left to right.

The image is a 1930s illustration.

Each section shows the character facing rightwards.

The first section shows a boy with short, straight, blond hair and formal, masculine clothes.

The rightmost section shows a girl with long, curly, red hair and casual, feminine clothes.

There are arrows between each section showing the direction of progression.

progression-workflow.json.xz.base64/Td6WFoAAATm1rRGBMD6CrI8IQEWAAAAAAAAAK82F4rgHjEFcl0APYKAFxwti8poPaQKsgzf7gNj HOV2cLF9DeDmoIvoTF/cVPw0agdxNfru2YvPSKLvRDPlN2F1d8yba+YwJMN/u3et9crpZQe0xf0X e4TlGW5cYDH+Fmnw78HMia8eHxjr11hvN1CjKJECZj6cxWQr5ky0YKVzeOErkrOUDMifScNF8ar7 0lZixjiV/oEgLa3gDczZdHFJzhbm4xDBx5gI5tJIx8m8EkEDHNaoSmTjv4TSsua4bQicgw6/mTPy NkufHUtCNV1ywEVaVQHw5oeUatKneTLYzgAlPF3bDx4oG8TMyis8lSQ2elf9IezyP88Yfsmk5bw+ 46cSJz2rH2m7hR8gsPEoIB1foZnaUp25ES9dAc60QtWD3o89wmLVDW1sdHDu+FwFfL5mSg15TjPN EowKss1+cvVmWJQGxEl9Mcy2SZ5/mkns2GnEQaa9fV2bGcs9H4YOoA2YusbSoGDFnFsWqbbjTTXe 8b+iXBG93rklvtPwq0bb3ARsYFvU/ir0eLaPu+EHrENW8BwYwf9VZU/DpvT1dbkaT1Xj0HYo7Yf6 go4T5+8gMD5BLYyXHL/ZMXJc1a2UdXca/xjZsexOWPO93SHnGkfdrWIF3lrISg31htvST2b/Rwpf BxlZWUoDsirV3KcPqRQNAZqfIEaiqr7tdbklorUVD809JClc7BF4GzePHeus7gir5WvvDFOVuPpr fJ1pn4U+FFtlml5gm2WpNycSWitGL48CgEx35jF3MFhYSwC3OE6/qMiSCXzQ6M851M8dU6ANsK9g 32uD6AktHnFfJxazyKoRpblc1EX3yk1tvYK6fX3KJHwmvYJombtyyAbhn1HWWVgbRBcBlmiQLOa4 FhP6eU6IewP0p48vbVQizW52fV+dRNm3fsDMf6QLxAwZcKNzmEVrUJvxxggDo5sdATYgO9Osb/FB aZQQANyN1MUrRZzNFePhRHxTeZmFhCeAjTLcj/3hmjMJy5UFVyX1KiCU/EhBUCDvV/GCHm2p/yXZ xLE1HoMYS/pesD9BwvB/NbWTzcTagw8ivNYT1rRmCQdzwggGcxZsaNpJihWLAOayPaMnRfzOyPwH UnVFUupghRDcsHAR9iY+91FzKGy7HMsexigiWEPbjSUyzDiiBoEsImOVlqVAYVTmDfvjf+026deU zfWPsvIWq33j1/GwFPcqGzMCwXgekP+CzXrYsQjybye0ybhMrSpPlMwTu5Euiq0FIX5c5D+eJiwS MrXK6muBn+lPl4PbJqb8IgSH8Uimrk0wpEi0pyuGaU/cyTN0JgKFAgB7kE/ci78G+9OpioxddbVX K/D3cHT1Ek4sn9W8kGPDdFRW4gXCplQ+80azwE41nbSpH91x6nNzHJvmpxWnODK9dFbX4JAyi48c HkcZti54aGLdMvxfSze+zwcs/M8sxs0Qan8Uzuk3eqEs5SUZaCbFaw0JpJRhtVJGa/JmPCyuLSvG CLmsT5jgiQLo4suVookhvedK7yKCys7hzMLS/f90QgH0DY01x+Hz2JxLCE0iBYKhf1L9iRY+uTB1 YAVbq2aEmRexJt6Ps+dcJNVJba6LTyqnXsQEbAaZ3QMrOS1lv6kWemjS9OVtvvtMO/Fm5ZpfTdod zM5Rn7iMdN7tWeOPevhSHB76VbAw9JcwUuyzPFLOYcjE9P9GpyCd8RgtUAB8yxA2+EzZ1wu+/OFL oyQBcs/8X5K6/CFXNYqAcpHoN0ZQkuUFn8dfx4SClnJ+Xz+XjurAaBZ+Mv+I8JMf5ujOUWu1bqQP o0us6RY6Tb3DhafaEATnFIxGSmg1AS45YPj86hr7LDgSzO5LZd/Sfp4x/PvFkhLMRsmQn1qEzr+4 4jR1Y7f4paAAAADbBXPktEIO5gABlguyPAAAd4qw5bHEZ/sCAAAAAARZWg==

52
Help has arrived (lemmy.today)
submitted 6 months ago* (last edited 6 months ago) by tal to c/imageai@sh.itjust.works
 

UI: ComfyUI

Model: STOIQNewrealityFLUXSD_F1DAlpha

A scan of a comic book page by Neal Adams.

The image is divided into two panels.

The first panel shows Sailor Moon saying "I'm here to help!"

The second panel shows an exasperated Batman facepalming.

sailor-moon-batman-workflow.json.xz.base64/Td6WFoAAATm1rRGBMCeCsI6IQEWAAAAAAAAACp9mdPgHUEFFl0APYKAFxwti8poPaQKsgzf7gNj HOV2cLF9DeDmoIvoTF/cVPw0agdxNfru2YvPSKLvRDPlN2F1d8yba+YwJMN/u3et9crpZQe0xf0X e4TlGW5cYDH+Fmnw78HMia8eHxjr11hvN1CjKJECZj6cxWQr5ky0YKVzeOErkrOUDMifScNF8ar7 0lZixjiV/oEgLa3gDczZdHFJzhbm4xDBx5gI5tJIx8m8EkEDHNaoSmTjv4TSsua4bQicgw6/mTPy NkufHUtCNV1ywEVaVQHw5oeUatKneTLYzgAlPF3bDx4oG8TMyis8lSQ2elf9IezyP88Yfsmk5bw+ 46cSJz2rH2m7hR8gsPEoIB1foZnaUp25ES9dAc60QtWD3o89wmLVDW1sdHDu+FwFfL5mSg15TjPN EowKss1+cvVmWJQGxEl9Mcy2SZ5/mkns2GnEQaa9fV2bGcs9H4YOoA2YusbSoGDFnFsWqbbjTTXe 8b+iXBG93rklvtPwq0bb3ARsYFvU/ir0eLaPu+EHrENW8BwYwf9VZU/DpvT1dbkaT1Xj0HYo7Yf6 go4T5+8gMD5BLYyXHL/ZMXJc1a2UdXca/xjZsexOWPO93SHnGkfdrWIF3lrISg31htvST2b/Rwpf BxlZWUoDsirV3KcPqRQNAZqfIEaiqr7tdbklorUVD809JClc7BF4GzePHeus7gir5WvvDFOVuPpr fJ1pn4U+FFtlml5gm2WpNycSWitGL48CgEx35jF3MFhYSwC3OE6/qMiSCXzQ6M851M8dU6ANsK9g 32uD6AktHnFfJxazyKoRpblc1EX3yk1tvYK6fX3KJHwmvYJombtyyAbhn1HWWVgbRBcBlmiQLOa4 FhP6eU6IewP0p48vbVQizW52fV+dRNm3fsDMf6QLxAwZcKNzmEVrUJvxxggDo5sdATYgO9Osb/FB aZQQANyN1MUrRZzNFePhRHxTeZmFhCeAjTLcj/3hmjMJy5UFVyX1KiCU/EhBUCDvV/GCHm2p/yXZ xLE1HoMYS/pesD9BwvB/NbWTzcTagw8ivNYT1rRmCQdzwggGcxZsaNpJihWLAOayPaMnRfzOyPwH UnVFUupghRDcsHAR9iY+91FzKGy7HMsexigiWEPbjSUyzDiiBoEsImOVlqVAYVTmDfvjf+026deU zfWPsvIWq33j1/GwFPcqGzMCwXgekP+CzXrYsQjybye0ybhMrSpPlMwTu5Euiq0FIX5c5D+eJiwS MrXK6muBn+lPl4PbJqb8IgSH8TrvwqXE5ZhZeQzOaoQxxjQNcP8ANw/CN1mtgtet8+p/NOND9V2m XUQwIibFaGRC7Gru1IazCXjNe6En7UoFdZ/ATZVJQGzFFXN0FIjEj4sbLtiQpG6h2r4R7XY/c5Vi /hsa78k0AZpUbKi/Ph+r9u26nBWZHP6B5vGF++dSSvPeuYXHDiQkPbsSHozw/9wk3zV92LYfzdsB nvzrbNcKc2ZSPiK4U2XgDqBowqEnTbxYIV4pPgRG6QzZgEa3bzRpstvAKs5MDmTY45rv/bAQxVPF Dk2bx+uIUsT/YufVoQGN5bYmb4wmaEizhv6dqtySC66PhmcWpxCMCBsUZvsWBrnDErnqm6r5M9MS ezDYih2TXpuMgDCct0hIQNtD3Mh59jmpALqWaV74mYnbzYFWTxEfdL06VTCnN/Z2cl8nEzhh+xh6 BukQ2Txe5wdN7PShSGXCH5C7plUR3HeJj+sS1AYAAAAAvjSNoABRlwwAAboKwjoAAKS6DMexxGf7 AgAAAAAEWVo=

50
Cats (lemmy.today)
submitted 6 months ago by tal to c/imageai@sh.itjust.works
 

UI: ComfyUI

Model: STOIQNewrealityFLUXSD_F1DAlpha

A huge, dangerous black jaguar lying next to a relaxed, white long-haired Angora cat. In the background is a blazing fireplace. The floor is black cherry.

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24
Autumn dessert (lemmy.today)
submitted 6 months ago by tal to c/imageai@sh.itjust.works
 

UI: ComfyUI

Model: STOIQNewrealityFLUXSD_F1DAlpha

A delicious slice of pumpkin pie. The pie is topped with whipped cream that is sprinkled with cinnamon and nutmeg. There are delicious chocolate chip cookies and a delicious scoop of vanilla ice cream placed next to the slice of pie. The ice cream is topped with crushed candy cane sprinkles.

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11
Ozymandias (lemmy.today)
submitted 7 months ago* (last edited 7 months ago) by tal to c/imageai@sh.itjust.works
 

Inspired by this post trying to illustrate a poem, I wanted to see if Flux could understand poetic language in Ozymandias. I plugged the whole poem in. I think it did an okay job!

Ozymandias, by Percy Bysshe Shelley:

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

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