The best part about this is that UMG WMG and SMG all simultaneously went "you can't take an artist's life work and exploit it, that's unfair, it's OUR job to take an artist's life's work and exploit it"
this post was submitted on 24 Jun 2024
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I mean yes to the sentiment but it would be quite a bit different if these artists signed a distribution contract with the AI company saying they got a miniscule percentage of royalties for every track somebody generated or even licensed this music to train on whatsoever.
This is true in the art industry as well. Many outsourced artists from third world countries are exploited with unreasonable wages and long hours
I can't tell which one is a shittier actor here...
Eitherway, this is not good for end consumer lol
We always get fucked
I hate to say it, but I kinda hope the music copyright cartel wins this one, only for the precedent it would set about things like proprietary use of MS Copilot output being an infringement of GPL-licensed code.
Yeah, as someone who's fought against the RIAA/MPAA copyright lobbying in my country, I think I'm on their side on this one.
GPL code is the least concern, you can always just say the AI-generated code is GPL. What about training on leaked proprietary code? The training data already known to include medical records, CSAM, etc., wouldn't be surprised if it also contained proprietary code.
I don't know which one is better tbh
the devil you know or the one you don't!
Having all AI-generated code be either "viral" copyleft or illegal to use at all would certainly be better than allowing massive laundering of GPL-licensed code for exploitation in proprietary software.
Damn i see your point here tbh...
i am vaguely familiar with software licensing is GPL type of open source?
i am vaguely familiar with software licensing is GPL type of open source?
You could say that, LOL. It's the OG of "copyleft" licenses (the guy that made it invented the concept), although "permissive" licenses (BSD, MIT) existed before.
"Copyleft" and "permissive" are the two major categories of Free Software (a.k.a. "open source", although that term has different connotations) license. The difference between them is that "copyleft" requires future modifications by people other than the copyright holders to be released under the same terms, while "permissive" does not. In other words, "copyleft" protects the freedom of future users to control their computer by being able to modify the software on it, while "permissive" maximizes the freedom of other developers to do whatever they want with the code (including using it in proprietary apps, to exploit people).
If they are using GPL code, shouldn't they also release their source code?
That's the argument I would be making, but it certainly isn't Microsoft's (Copilot), OpenAI's (Codex), etc's position: they think the output is sufficiently laundered from the GPL training data so as not to constitute a derivative work (which means none of the original licenses -- "open source" or otherwise -- would apply, and the recipient could do whatever they want).
Edit: actually, to be more clear, I would take either of two positions:
-
That the presence of GPL (or in general, copyleft) code in the training dataset requires all output to be GPL (or in general, copyleft).
-
That the presence of both GPL code and code under incompatible licenses in the training dataset means that the AI output cannot legally be used at all.
(Position #2 seems more likely, as the license for proprietary code would be violated, too. It's just that I don't care about that; I only care about protecting the copyleft parts.)
Of course, because music belongs to the Record Labels. How dare it be made without their consent (and a cut being paid).
Music copyright is such a shitshow. It doesn't surprise that they would try this.
Edit: I just heard the generated songs that are part of the lawsuit. They're pretty fucked if this is true,
Links maybe?
https://suno.com/song/16df3d1e-f817-4904-b9a8-eb6b18b6583d
https://suno.com/song/a9575656-5922-44fe-a925-b7582af7f8e4
https://suno.com/song/3b1f21b8-c56f-43fd-a858-6d70f0314b67
https://suno.com/song/a5d096df-98f7-4ba8-993b-b1696134e4c3
https://suno.com/song/b13bc2e2-5468-4b5c-b17f-44d23bdf9340
From this article
Edit: there’s even more examples in this article
I feel bad for Suno's lawyer.
…oh my GOD, they are cooked.
Jesus Christ. Have people never heard of covers? Every song here is in some way or another akin to a published cover of another song. Pretty bad ones at that. Obviously if it were matching the songs one for one, then it would be considered copywrite enforceable but realistically these would be more along the lines of copywrite abuse. The music labels would absolutely love for this precedent to be set so that anything even that remotely resembles anything ever made will allow them to own new independent artists within established genres.
Here is a list of cases that set precedent. The thing that connects them all and makes them relevant is that the defendant was either successful, made a lot of money, was very popular or it was the label attacking a artist for sounding like themself after leaving the band. See John Fogerty v. John Fogerty
Actually technically covers require royalties, whether they're on a CD, or performed at someplace seedy.
They're not the time honored tradition you think they are.
Goodness gracious they must have great balls of fire to have done this.
But what if it was trained on covers?
Did those people just put the lyrics in? I've used udio a bunch, but not suno, but I just did it here and I and to generate the lyrics first. I could have put anything i want in there.
But even with that, at least the maria Carey one is really bad.
Our technology is transformative; it is designed to generate completely new outputs, not to memorize and regurgitate pre-existing content
Oops! You appear to have consumed and believed your own shit you’re peddling
"Completely new"
Okay, then don't train it on anything at all and let's see how it turns out.
I wish we could hear music made by people who've never heard it before
To be fair, it's as "new" as what the major record labels put out!
Aren't there two guys who already "own" all possible combinations of notes they should get in on the fight too
So exploiting artists is fine, but when the labels get scammed, that’s where they draw the line?
But of course. If artists want to fight for their rights, they better get their own lawyers.
How convenient, that this would never happen, because the label leeched them dry
I can’t believe I’m on the music industry’s side on this. It’s a sad day when I have to root for the team that’s made it hard for me to make a living while they fight against the team that’s trying to make me obsolete.
Staggeringly naive, tbh. Your profession will be made obsolete as a self-sustaining for-profit enterprise either way. The difference is that the tooling can either be owned exclusively by megacorp, or it can be owned by people.
It's better to be a bard relying on the charity and small custom of others than a literal sharecropper fueling Universal's proprietary model for next to nothing. At least in the former case you're free.
I see you missed my point.
The lawyers are just loving this AI bloodbath.
AI tools and entertainment will become common place in the future. All these lawsuits decide is if we can have it for free or through a subscription payed to Sony and friends.
Okay, now we're cooking!
This is like when the bad guy from the last movie teams up with the heroes at the last minute to help fight the new big bad.